Actually, I love mythology. When I was a kid I was obsessed with myth and I wanted to be a mythologist when I grew up. Then I realized I really just like stories.
I'm such a geek, I know all about mythology and I don't know Marc Jacobs.
Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.
I think that the mythology of Van Gogh's life, and the beauty of his paintings, is unstoppable.
I love Greek mythology, I love gladiators, I love war stuff.
What they teach you as history is mythology and true mythology is far from fantasy -- it is our true history. A bulk of our real history can be found in Egyptian and Greek mythology. Yes, myths reveal to us worlds of other dimensions that make up our true reality. History books teach us that the minds of the past operated on the same frequency, dimension, or level of consciousness as we do now. Not true at all.
They who shall enter into [the] joy [of the Lord] shall know what is going on outside in the outer darkness. . .The saints'. . . knowledge, which shall be great, shall keep them acquainted. . .with the eternal sufferings of the lost.
I wanted Yoda to be the traditional kind of character you find in fairy tales and mythology. And that character is usually a frog or a wizened old man on the side of the road. The hero is going down the road and meets this poor and insignificant person. The goal or lesson is for the hero to learn to respect everybody and to pay attention to the poorest person because that's where the key to his success will be.
God will not pity them, but “laugh at their calamity.” The blessed company in heaven shall rejoice in the execution of God's righteous judgment, and sing while the smoke riseth up for ever.
We're separated by our myths.
I am interested in most mythology. Celtic or Christian no more than anything else. I will admit to a pleasure and sense of hope in what I see as the basic teachings of Christ, stripped of the nonsense that has sometimes been accumulated about them and the embarrassing misunderstanding.
I'm always interested in debunking myths if they are untrue. But it's also important to identify myths and how they function, what value they may have.
Real myths are often strange and startlingly unfamiliar, and don't always give up their meanings easily; you have to tease them out, and for me, that's one of the pleasures of reading older collections of lore.
What is at the higher levels of meaning consciousness is like a hyperspace in which each point is equidistant from the other and where 'the center is everywhere and the circumference is nowhere'? The mythologies of the occult seem like baroque music: there is an overall similar quality of sound and movement, but, upon examination, each piece of music is unique; Vivaldi and Scarlatti are similar and different.
There is a sort of mythology that grows up about what happened, which is different from what really did happen.
There's something about Celtic mythology which is deep in the soul, and I just think that somehow she has tapped right into it.
It is not a terrible thing to a wretched soul, when it shall lie roaring perpetually in the flames of hell, and the God of mercy himself shall laugh at them; when...God shall mock them instead of relieving them; when none in heaven or earth can help them but God, and he shall rejoice over them in their calamity
UFO mythology is similar to the message of the classical religions where God sends his Angels as emissaries who offer salvation to those who accept the faith and obey his Prophets. Today, the chariots of the gods are UFOs. What we are witnessing in the past half century is the spawning of a New Age religion.
Medical training taught me the art of breaking down the complex maze of stories, symbols and rituals into clear systems. You could say that it helped me figure out the anatomy and physiology of mythology and its relevance in a society more incisively. How is it that no society can, or does, exist without them?
Ive always loved the idea of mythologies linked to or underlying everyday life, like the kami gods of Shintoism, where every rock, tree and stream has its own little god associated with it.
I decline to accept Hebrew mythology as a guide to twentieth-century science.
Studios are so used to digital now and there is a mythology that it's cheaper. But it's really not cheaper. For instance, digital is great for night exteriors, everybody knows it's a video tap, so it's very responsive to light. So you can go out at night, shoot with digital and it's gorgeous, beautiful to look at . Conversely, you go out and shoot day exterior, and it slams you, just like you know from your own video recording.
A philosophical mythology lies concealed in language, which breaks out again at every moment, no matter how cautious we may be.
I think of a myth as a story that helps you explain all the different pieces of your life. In that broad sense, there is no way to live without mythology.
My brothers were the ones who taught me about mythology and storytelling, and showed me how to do stop-motion animation.
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