What a curious workmanship is that of the eye, which is in the body, as the sun in the world; set in the head as in a watch-tower, having the softest nerves for receiving the greater multitude of spirits necessary for the act of vision!
There are only two types of player-those who keep their nerves under control and win championships, and those who do not.
Donna E. Smyth - adventures with words; she is always doing something new and unique. Beginning with her visceral morality, her stories are startling, nerve wracking, provocative: she combines Angela Carter's beautiful style with Patricia Highsmith's malevolent atmospheres. Smyth shatters clichs and dismisses mere sociology. She knows that pleasure is besieged by terror. She tells us what we don't want to know, but need to know. Smyth's writing disturbs us, enrichingly, because truth can never be at peace with language.
In adult centers the nerve paths are something fixed, ended, immutable. Everything may die, nothing may be regenerated.
The moment you resolve to be victorious, every nerve and fiber in your being will immediately orient itself toward your success.
It's so nerve-wracking to go out into a stadium, feeling a billion eyes upon you when you mess up your touches. That's an overwhelming environment.
The most nervous I've ever been was on a 250 pound music video which is the first thing I ever did. And I stepped on there with a directing partner, so I could blame him when everything went tits up. But since then my nerves have incrementally decreased so I'm not plagued by the same sense of nerves as I used to be.
The strongest argument for the un-materialistic character of American life is the fact that we tolerate conditions that are, from a materialistic point of view, intolerable. ... No nation with any sense of material well-being would endure the food we eat, the cramped apartments we live in, the noise, the traffic, the crowded subways and buses. American life, in large cities, at any rate, is a perpetual assault on the senses and the nerves.
It's dangerous to get calm. You need some nerves to work from, it's good energy. It's not good to have no nerves. You'd fall asleep on stage.
The most demanding part of living a lifetime as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own intimate sensitivity.
The relativism which is not willing to speak about truth but only about ‘what is true for me’ is an evasion of the serious business of living. It is the mark of a tragic loss of nerve in our contemporary culture. It is a preliminary symptom of death.
We Americans commercialize everything. Look at what we did to Christmas. Christmas is Jesus' birthday. Now, I don't know Jesus, but from what I read he was the least materialistic person who ever walked the earth. No bling on Jesus. He kept a low profile and we turned his birthday into the most commercial day of the year. In fact we have a whole Jesus birthday season. And then at the end of it, we have the nerve to have an economist come on TV and say what a horrible Jesus birthday season we had.
Guilt is the very nerve of sorrow.
Only enormously talented people could have made Death to Smoochy . Those with lesser gifts would have lacked the nerve to make a film so bad, so miscalculated, so lacking any connection with any possible audience.
Climbing up on Solsbury Hill I could see the city light Wind was blowing, time stood still Eagle flew out of the night He was something to observe Came in close, I heard a voice Standing stretching every nerve I had to listen, had no choice
Acting can truly take a toll on your nerves. I mean we have to be larger than life. Worse, I've seen actors acting off the sets too.
Progress is the exploration of our own error. Evolution is a consolidation of what have always begun as errors. And errors are of two kinds: errors that turn out to be true and errors that turn out to be false (which are most of them). But they both have the same character of being an imaginative speculation. I say all this because I want very much to talk about the human side of discovery and progress, and it seems to me terribly important to say this in an age in which most non-scientists are feeling a kind of loss of nerve.
Adversity is a severe instructor, set over us by one who knows us better than we do ourselves, as he loves us better too. He that wrestles with us strengthens our nerves and sharpens our skill. Our antagonist is our helper. This conflict with difficulty makes us acquainted with our object, and compels us to consider it in all its relations. It will not suffer us to be superficial.
You shake my nerves and you rattle my brain, too much love drives a man insane. You broke my will, but what a thrill. Goodness gracious, great balls of fire.
When we let loose our feelings, we waste so much energy, shatter our nerves, disturb our minds, and accomplish very little work.
Dancing is imperatively needed to give poise to the nerves, schooling to the emotions, strength to the will, and to harmonize the feelings and the intellect with the body that supports them
Ann's got to take her nerve by the horns.
Let's hope his nerves will run through his veins.
Choking is being in a position to win, and then experiencing some critical failure of nerve or spirit. That never happened to me. And I can't help but think it was because I was never afraid to lose.
Recycle those nerves and make them adreneline.
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