The only measure of your worth and your deeds will be the love you leave behind when you're gone.
Nowadays this is the way everyone loves himself; people wish to live with God in consolations and repose, in wealth and power, and to share the fruition of his glory. We all indeed wish to be God with God, but God knows there are few of us who want to live as men with his Humanity, or want to carry his cross with him, or want to hang on the cross with him and pay humanity's debt to the full.
Flesh of my flesh, bone of my bone, I here, though there, yet both but one.
The growth of my love story had been gradual but my success had always existed and both coupled together formed a deadly combination that was detrimental to our love. I wanted people to love me. She wanted them to leave her alone.
When the perfect order prevails, the world is like a home shared by all. Leaders are capable and virtuous. Everyone loves and respects their own parents and children as well as the parents and children of others. The old are cared for, adults have jobs, children are nourished and educated. There is a means of support for all those who are disabled or find themselves alone in the world. Everyone has an appropriate role to play in the family and society. Devotion to public duty leaves no place for idleness. Scheming for ill gain is unknown. Sharing displaces selfishness and materialism.
You have to love yourself or you'll never be able to accept compliments from anyone.
With lines that show an unyielding dedication to craft, these poems are not afraid of meaning or the meaningful. More and more every day, the thinking American asks how she is to believe in love when there is war all about her, and in each of her deeply felt lyrics, Elyse Fenton confronts this question with the kind of tenderness one lover reserves for another. If every poem is indeed a love poem,Clamor is indeed a debut worth reading and about which we must make noise.
I think for some people real success would mean having all the money in the world and having everyone love you every minute of the day. I don’t know if that’s really my aspiration. I just want to keep doing this. I just want to keep finding new ways and new paths and new territory. Every time I get to do it, it feels like freedom.
When something is missing in your life, it usually turns out to be someone.
We create a mask to meet the masks of others. Then we wonder why we cannot love, and why we feel so alone.
All through the years of our youth Neither could have known Their own thought from the other's, We were so much at one.
We know that every person who is loved feels transformed, unfolded, and he unfolds everything, the most intimate as well as the most familiar, to the one who loves him as well as to himself.... The person one loves is as ungraspable as the universe, as God's infinite space, he is boundless, full of possibilities, full of secrets.
The history of the world, as it is written and handed down by word of mouth, often fails us completely; but man's intuitive capacity, though it often misleads, does lead, does not ever abandon one.
One fancies that what one loves cannot die.
Love is blind, as they say, and because love is blind, it often leads to tragedy: to conflicts in which one love is pitted against another love, and something has to give, with suffering guaranteed in any resolution.
They say if one understands himself, he understands all people. But I say to you, when one loves people, he learns something about himself.
Because depression is so thematically powerful and so dark, when it's very severe, it can make people feel not only as if they've lost a loving connection, but as if the whole world is devoid of love. So if we wonder how somebody could take 149 people with him when he commits suicide, one answer can be that depression, when it's most severe, can make people feel that life is completely without value, not just for them but for anyone.
I feel like vocals are to music what portraits are to painting. They're the humanity. Landscapes are good and fine, but at the end of the day everyone loves the Mona Lisa.
We love Formula One and think Formula One's great. But we think Formula E is different. We would be making a big mistake if we tried to compete with Formula One and be similar to Formula One, we have to be radically different to Formula One to have a chance of survival. I don't mean survival by beating Formula One but co-existing complimentary to Formula One.
I've always loved movies but everyone loves movies, so I never conceived of the fact that I could actually be in them. In high school I had some friends in the drama department, but they were just doing plays, and I was like, "Eh, I don't really think that that's me." So I just played sports. Then, a bunch of years later, I'm acting.
Symmetria by the Uccello Project is a gorgeous, instrumental and largely unclassifiable record. Best thought of as 'cinematic', each of the tracks conjures up a range of emotions and images, taking the listener on a beautiful journey. The layers of basses, guitars and percussion ebb and flow, drawing on jazz, folk, blues and African music, blending all the elements into one lovely album. Recommended.
There are people whom one loves immediately and forever. Even to know they are alive in the world with one is quite enough.
A human being in this aged nation of ours is a very wonderful hole, the slow creation of long interchanging influences; and charm is a result of two such wholes, the one loving and the one loved.
Everyone loves a slice of period-drama-pie, but I think the success of Upstairs Downstairs is really down to the wonderful format that Jean Marsh and Eileen Atkins created.
You can't make someone love you, all you can do is stalk them and hope they panic and give in
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