I found a sad little fairy Beneath the shade of a paper tree. I know a sad little fairy Who was blown away by the wind one night.
One night you will ask me for something I cannot give.
The happy think a lifetime short, but to the unhappy one night can be an eternity.
An extra yawn one morning in the springtime, an extra snooze one night in the autumn is all that we ask in return for dazzling gifts. We borrow an hour one night in April; we pay it back with golden interest five months later.
A one-night stand that waited three years to tell me I had a son. I needed cash flow fast, It was time to get into the business.
The churches had left me cold, but I thought there's got to be a God. I remember going out, this is in Charleston, South Carolina, and my desire then was to be a playwright, and I was studying theater, and I went out one night, late at night, and I asked, "What can God be if there is a God?" I wasn't sure there was a God, but if there is a God, what must he be? Well, he can't be a judge, who's up there just waiting for us to make a mistake so he can clap us into hell. There's got to be something more than that.
My parents both had a great sense of humor, and always laughed a lot. One night, when they were watching Candid Camera, I finally understood what comedy was all about. I heard the laughter on television, I turned around and saw my parents laughing, and that's when I thought: 'This is great. This is what I can do. I'm gonna prank somebody.'
What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.
A mutual friend knew that we were both [with Iman Abdulmajid] on our own, with broken marriages and with children. We were brought to dinner one night. . . . It was absolutely instantaneous. I couldn't get her out of my mind . . . sleepless nights - real 18-year-old stuff.
We spent six weeks there [in Vegas]. The only thing crazy that I did was shoot that movie [The Hangovers]. The stuff in that movie is way crazier than anything I might have done, drunk one night in Vegas. I mean we did it for real in the movie, so that's as crazy as it got.
One night my son was downstairs studying, and he had been up so late all that week, and my husband said, "I feel so sorry for him." I said, "Look, if he's going to become a surgeon" - he is studying to be a doctor - "he's going to have his hard times. I feel sorry for him too, but if he lives in this world he's going to have more hard times. He's going to stay up some more nights." I think we can't shield them from the hard times, even though we'd like to. I say to the children that I teach and to my own - I can't test the ground for you and tell you that's a safe step there.
I had admired Waylon [ Jennings], but I never expected to meet him and get to know him. When I finally moved to Nashville years later, one night I went to a Harlan Howard Guitar Pull thing, and there was Waylon. He started talking about how much he loved my work and how great I was, and I couldn't even get a word in.
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