It would be as naive to study the song of the nightingale, as it would be ridiculous to try and win a King's Gambit against a representative of the old chess guard.
Theory regards this opening as incorrect, but it is impossible to agree with this. Out of the five tournament games played by me with the King's Gambit, I have won all five.
By what right does White, in an absolutely even position, such as after move one, when both sides have advanced 1. e4, sacrifice a pawn, whose recapture is quite uncertain, and open up his kingside to attack? And then follow up this policy by leaving the check of the black queen open? None whatever!
I dropped the King's Indian in 1997 after one too many bad experiences against Kramnik.
Before Geller we did not understand the King's Indian Defence.
Some pieces in the King's Indian appear on a 'special price' list: the dark square bishops are at the top of that list.
Never in the history of chess have so many moves been repeated so often so quickly by so many people who didn't really understand them.
Playing black, I put great stake in the Ruy Lopez: I liked it, feel it, and understand it; in matches with Hjartarson and Timman it served me well. - on preparing for World Championship versus Garry Kasparov
An amusing fact: as far as I can recall, when playing the Ruy Lopez I have not yet once in my life had to face the Marshall Attack!
Failing to open the center at the right moment - a common error by White in the Exchange Lopez - can allow Black an excellent game.
In my opinion the Open variation is absolutely correct - and more interesting than the Closed.
Play the open variation of the Ruy is my advice to all ordinary club players, and I recently even wrote a book about it, seen from Black's point of view. Why does everybody try to copy the grandmasters' strange positional maneuvers in the 5. ... B-K2 variation, instead of fighting for the in intiative?
Often, in the Ruy Lopez, one must be patient, wait and carry on a lengthy and wearisome struggle.
This sacrifice of a pawn nowadays is only played for drawing purposes. Especially against the very strongest masters it has proved to be quite useful to this end.
All lines of play which lead to the imprisonment of the bishop are on principle to be condemned.
The Ruy Lopez occupied a constant place in my opening repertoire. In it is reflected the classical interpretation of the problem of the centre.
Had I not played the Sicilian with Black I could have saved myself the trouble of studying for more than 20 years all the more popular lines of this opening, which comprise probably more than 25 percent of all published opening theory!
Having spent alarmingly large chunks of my life studying the white side of the Open Sicilian, I find myself asking, why did I bother?
The main line of the Yugoslav Attack has become just too vast for most players to study in depth, and anyone intending to venture into such tricky waters needs to have an intimate knowledge of all the hidden reefs.
Among top grandmasters the Dutch is a rare defense, which is good reason to play it! It has not been studied very deeply by many opponents, and theory, based on a small number of 'reliable' games, must be rather unreliable.
In choosing an opening plan players think most of all of harmonious development for the pieces, but sometimes leave the development of the queen out of their considerations. Yet the Queen is the most valuable and important piece and the whole outcome can depend upon how successfully she plays her role.
Our collective future depends on opening channels of compassion, acceptance, and understanding of others.
Your happiness is the most significant contribution that you could make. In your reaching for happiness, you are opening a vortex which makes you an avenue for the Well-being to flow through you. And anything that is your object of attention under those conditions, benefits by the infusion of your Well-being.
They hold their great balls in the open air, in what is called a fairy-ring. For weeks afterward you can see the ring on the grass. It is not there when they begin, but they make it by waltzing round and round. Sometimes you will find mushrooms inside the ring, and these are fairy chairs that the servants have forgotten to clear away. The chairs and the rings are the only tell-tale marks these little people leave behind them, and they would remove even these were they not so fond of dancing that they toe it till the very moment of the opening of the gates.
Ask: is what I'm doing and thinking right now bringing me closer to myself or farther away? Opening my heart or closing it? You have a choice.
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