The hair is the richest ornament of women.
The ornaments of our homes are the friends that visit it
The greatest ornament of an illustrious life is modesty and humility, which go a great way in the character even of the most exalted princes.
The real ornament of woman is her character, her purity.
Christmas is a box of tree ornaments that have become part of the family.
Clearness ornaments profound thoughts.
Beauty doesn't need ornaments. Softness can't bear the weight of ornaments.
The ornament of a house is the friends who frequent it.
There is material enough in a single flower for the ornament of a score of cathedrals.
Silence is an ornament for women.
The connoisseur of art must be able to appreciate what is simply beautiful, but the common run of people is satisfied with ornament.
Ornaments were invented by modesty.
When a slave begins to take pride in his fetters and hugs them like precious ornaments, the triumph of the slave-owner is complete.
There was very little about her face and figure that was in any way remarkable, but it was the sort of face which, when animated by conversation or laughter, is completely transformed. She had a lovely disposition, a quick mind and a fondness for the comical. She was always very ready to smile and, since a smile is the most becoming ornament that any lady can wear, she had been known upon occasion to outshine women who were acknowledged beauties in three countries.
Modesty is not only an ornament, but also a guard to virtue.
Most works are most beautiful without ornament.
Anyone may have diamonds: an heirloom is an ornament of quite a different kind.
There is no doubt that Greek and Latin are great and handsome ornaments, but we buy them too dear.
The arts alone give direct access to experience. To eliminate them from education - or worse, to tolerate them as cultural ornaments - is antieducational obscurantism. It is foisted on us by the pedants and snobs of Hellenistic Greece who considered artistic performance fit only for slaves.
What I resist is techniques. I find techniques very problematic. So when critics talk about my work in those terms, I find that they miss the condition. I am comfortable with the notion of pattern and ornament as a system of organization, [but] for me it acts as a textile. So it's not about pattern, but the notion of architecture through the lens of textile, rather than architecture through the lens of brick and mortar.
True ornament is not a matter of prettifying externals. It is organic with the structure it adorns, whether a person, a building, or a park. At its best it is an emphasis of structure, a realization in graceful terms of the nature of that which is ornamented
There are elements of intrinsic beauty in the simplification of a house built on the log cabin idea. First, there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament, but are clearly revealed, a charm felt in Japanese architecture....The quiet rhythmic monotone of the wall of logs fills one with the rustic peace of a secluded nook in the woods.
Love came down at Christmas, Love all lovely, Love Divine; Love was born at Christmas; Star and angels gave the sign.
Education is an ornament in prosperity and a refuge in adversity.
No ornament of a house can compare with books; they are constant company in a room, even when you are not reading them.
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