I have no wish to be remembered as a painter, for I never was a painter; my idea of that profession was perhaps too exalted; I may say, is too exalted. I leave it to others more worthy to fill the niches of art.
Nature or, that which I see, inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that, until I reach the foundation, still just an external foundation, of things.
The great paintings are the ones with the most subtle value relationships. The closer you could bring your values and still distinguish between them, the stronger you were as a painter.
The chief consideration for a good painter is to think out the whole of his picture, to have it in his head as a whole... so that he may then execute it with warmth and as if the entire thing were done at the same time.
Whoever thought the immediate alternates with the immediate action is not an abstract painter.
No high-minded painter of the last fifty years has been able to come to terms with his art without coming to terms with the problem of cubism.
Painters paint, and history continues to make fools of curators.
The Canadian painter A. Y. Jackson noted that 'failure of sight' was a tiresome problem. He meant we should be able to look at our work-in-progress as if it were previously unseen.
Many of us knuckle-dragging brush-painters think that 'behind the times' is part of our job description. Why deny ourselves the authentic journey of a time-honoured form?
As painters...we must always remember that our precious poetic visions and spiritual insights will remain forever locked within us until we can boil them down to a complex arrangement of a few hundred or possibly even thousands of brushstrokes.
A painter is always overjoyed when anybody pays any attention to him at all, puts him in any category, calls him anything - as long as they call him something.
If I didn't have a conviction that a serious painter can portray Nature more profoundly than the best colour photography, I'd probably give it all up or go abstract or take up photography.
To be a landscape painter is to be a perverse individual.
I have made a solemn vow never to send my drawings because people have cheated me. In particular, just today I found... that, having done a drawing of souls in Purgatory for the Bishop of St. Gata, he, in order to spend less, commissioned another painter to do the painting using my work. If I were a man, I can't imagine it would have turned out this way.
I just get excited... like a painter with a blank canvas.
My father had wanted to be a commercial artist. He got as far as being a photographer in the army in World War II, but he was always a Sunday painter. At a certain point, he gave me his oil paints and I messed around with them, having no idea what I was doing.
Painting can also be too earnest at times and that's a drag. You don't want to go in that direction either. It should be holistic. It should represent the whole of your personality, I guess, so if somebody is a sincere painter or an ironic painter, then they're just bullshitting the audience and presenting only an idealized version of themselves.
Because Guillermo's [del Toro] obviously a painter painting a picture and my job is just to provide the color that he probably already has in his mind.
In Germany, we often hear the absurd complaint that museums don't have the money to buy paintings. Of course, I'm not talking about me and my paintings. There are, after all, more popular painters in this country.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
As the eye is the best composer, so light is the first of painters. There is no object so foul that intense light will not make beautiful; and the stimulus it affords to the sense, and a sort of infinitude which it hath like space and time, make all matter gay.
Lawyers and painters can soon change white to black.
I went to school for fine art. I'm a decent housepainter, but I'm a really good fine art painter.
Who would be an artist that was perfectly happy? Maybe nowadays, but when I grew up in the '60s, you had nobody in the art club who was popular. No cheerleaders in the art club. I was told that I couldn't be a painter by my first painting teacher. I said I wanted to go to Cooper and be an art student, and he said, "You'll be a waitress." It was really the strangely indifferent parenting.
I hate darkness. Claude Monet once said that painting in general did not have light enough in it. I agree with him. We painters, however, can never reproduce sunlight as it really is. I can only approach the truth of it.
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