I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
Jazz vision for me is seeing my art in musical term. It offers me an visual expressions in an ever-changing musical palette.
When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
And I feel that we in our society should not be held by any such myth; that we should do everything we can to gain a delight and joy in our society with all the available parts of the palette.
Black is the absence of all color. White is the presence of all colors. I suppose life must be one or the other. On the whole, though, I think I would prefer color to its absence. But then black does add depth and texture to color. Perhaps certain shades of gray are necessary to a complete palette. Even unrelieved black. Ah, a deep philosophical question. Is black necessary to life, even a happy life? Could we ever be happy if we did not at least occasionally experience misery?
Progress in painting, there's no such thing! ...One day I went and changed the yellow on my palette. Well, the result was, I floundered for ten years!
Most art students are generous till it comes to squeezing their colour on the palette... Many pictures haven't become works of art simply because the artist tried to save a nickel's worth of colour.
The thing I've learned is it's good to restrict your palette somewhat. I will try and, say, use two or three instruments on one track. You learn, after a while, they're all good at certain things and other things fall outside of the natural areas they work well in, so I tend to stick with what they do best.
Usually I'm thinking about the palette. I'm thinking about the color for the most part, then I'll start thinking about composition and movement.
Telling yourself you have all the time in the world, all the colors in the palette, that just kills creativity.
It takes time and devotion to learn the language of color and lighting in the garden. Your tastes are sure to change over time, reflecting your inner evolution. Seeing the garden as a canvas for your celebration of Nature's palette is a wonderful expression of the soul's love of beauty and artistry. Your own inner intuition, however, is often your best teacher, but don't forget that Mother Nature will always have a few surprises up Her sleeve as well.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
I am a slave to the rhythm. I am a palette. I just go with the moment. You've got to do it that way because if you're thinking, you're dead. Performing is not about thinking; it's about feeling.
Winter's palette is clear and spare, restrictive enough to curb the excesses of even the most daring gardeners.
The terrain of Adam’s Mountain provides a palette unique to the region. Rather than typical mountain slope play, the course is broad and open, allowing for special golf experiences on every single hole.
Black is always elegant. It is the most complete colour in the whole world, made of all the colours in the palette.
CSPS is a breath of musical fresh air. With a whale sized hooks and neck wrenching riffs you’ll have more than you need to fall head first into this band’s fanbase. Take a listen and see what all the fuss is about. I’m sure that if the bone tight rhythm section doesn’t lock you in, the finely spun lyric and melody will surely ensnare even the pickiest of musical palette.
The statement is that I’m not one icon. I’m every icon. I’m an icon that is made out of all the colors on the palette at every time.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
The piano has eighty-eight keys, and you have to be able to play all of them. And the range of white to black is analogous to the eighty-eight keys and you have to be able to play all eighty-eight keys in that palette from white to black.
Watch a French housewife as she makes her way slowly along the loaded stalls... searching for the peak of ripeness and flavor... What you are seeing is a true artist at work, patiently assembling all the materials of her craft, just as the painter squeezes oil colors onto his palette ready to create a masterpiece.
The [palette] fantasy is always to get what you want, what you wear, and to be able to take it with you, so you don't have to bring all the other stuff. I just started digging through my drawers of my favorites, and I asked myself what is it that I cant live without?
We're doing all the shows as an eight-piece band. There's so many different kinds of palettes for each film that we've had to find a balance of musicians who can shift from one instrument to another to make all those sounds for us come to life.
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