Any approach to scientific inference which seeks to legitimize it and answer in reponse to complex uncertainty is, for me, a totalitarian parody of a would-be rational learning process.
One's life is an act with no actor, and thus it has always been recognized that the insane man that has lost his mind is a parody of the sage who has transcended his ego. If one is paranoid, the other is metanoid.
I think music should be tarted up, made into a prostitute, a parody of itself. It should be the clown, the Pierrot medium.
My process for the parodies is that I get an idea for a song and then get approval from the artist and then go in and record it and probably try to get it out as soon as possible.
I'd like to say that parody is a celebration of a person's specific characteristics, as opposed to mockery.
Sometimes I think that a parody of democracy could be more dangerous than a blatant dictatorship, because that gives people an opportunity to avoid doing anything about it.
Parody by itself is not subversive, and there must be a way to understand what makes certain kinds of parodic repetitions effectively disruptive, truly troubling, and which repetitions become domesticated and recirculated as instruments of cultural hegemony
... the age of simulation thus begins with a liquidation of all referentials - worse: by their artificial resurrection in systems of signs, a more ductile material than meaning... It is no longer a question of imitation, nor of reduplication, nor even of parody. It is rather a question of substituting signs of the real for the real itself.
What bugs me are parodies - they're never as special as the original thing.
There is a clear difference between sexist parody and parody of sexism. Sexist parody encourages the players to mock and trivialize gender issues while parody of sexism disrupts the status quo and undermines regressive gender conventions.
The only remarkable thing about Francis Ford Coppola's The Godfather, Part II is the insistent manner in which it recalls how much better his original film was. Even if Part II were a lot more cohesive, revealing and exciting than it is, it probably would have run the risk of appearing to be the self-parody it now seems…Its insights are fairly lame at this point.
There are writers who do start doing the same thing again and again and almost inevitably fall into self-parody.
I never consciously do any work directly influenced from any movie, unless I'm doing a parody.
I never like to do parodies. I never do. It's just not my style of comedy.
There's a side that I want to do just like really retarded arty films … like parody, pretentious art films that kind of are supposed to have some deep meaning.
When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can't go much further because ultimately it's feeding off of somebody else's creativity.
Whenever I do a parody it's not meant to make you hate anybody's music really.
I think this whole celebrity world is weird anyway. Weird and funny and kind of pathetic and yet so right for parody.
May is a pious fraud of the almanac A ghastly parody of real Spring Shaped out of snow and breathed with eastern wind.
The Victorians needed parody. Without it their literature would have been a rank and weedy growth, over-watered with tears.
There's a lot of different ways that a song would be a challenge to parody. There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea. Some songs are too repetitive for me to be able to fashion a humorous set of lyrics around. Some songs flat-out just don't work creatively for me.
The thing I love so much about the UN, is that they're so obviously corrupt. It's not like the Oil-for-Food scandal was even hard to discover, it was almost a parody of corruption. The behavior of the delegates in New York is comically corrupt as well. The amazing thing is that there are still people who want to give the UN MORE power, and to become a real world government... Sigh
The ultimate goal of radical politics is gradually to displace the limit of social exclusions, empowering the excluded agents (sexual and ethnic minorities) by creating marginal spaces in which they can articulate and question their identity. Radical politics thus becomes an endless mocking parody and provocation, a gradual process of reidentification in which there are not final victories and ultimate demarcations
How do you be a 45-year-old man in a rock band, do it well, keep your dignity and not become a parody of yourself? I don't think it will be simple.
Time is a wealth of change, but the clock in its parody makes it mere change and no wealth.
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