People are inherently good. Our souls are magnificent and capable of extraordinary performance.
I was trying so hard. I would memorize the entire script, then I'd be lipping everybody's lines while they were talking. When I watch those episodes, it's disgusting. My performances were horrible.
They're very sociable occasions and there's no barriers between us and the audience. It's customary that after our performances, we go out into the foyer and spend an hour or so signing autographs for the fans and having our pictures taken with them.We strongly believe that going out front to meet the fans is just as important as playing the gigs - and we all love a good natter!
around 1977 I became very ... negative, I began to do things unconsciously that I didn't understand, and they were very sabotagistic and I didn't know what I was doing. I was pissing everybody off, I was breaking my bridges. I was hostile to people, I was doing performances and insulting people there - I was doing whatever I could to destroy whatever world I had created ten years before, without knowing, really, why
My father, my uncles, my aunts, from my father's side and my mother's side... they were all professional musicians. My father was a concert master, he took me to a lot of rehearsals, concerts, performances, opera, ballet. For me, that was life.
Professor Irwin Corey had some of the best timing in the world, and that is something you can't steal. He talked nonsense, not punch-lines, per se. It was a great performance thing he did and his timing was impeccable. Pat Paulsen was a master of comedy too. The Smothers Brothers' strength was not in the content, but how it was said. We had a couple of our albums, including the Purple Onion album, translated in script form. It didn't work at all. It is no wonder that writers had a hard time writing for the Smothers Brothers, because they wrote impressions, but there was something else.
I am amazed and thrilled and unbelievably proud about my team's performance.
When we got to Steamboat, we were on that big stage at five in the afternoon, and it was almost at capacity. I told my guys 'no matter what we've done to get to this point, no matter what lows, what highs, right now we are here and we've got a point to prove." It was probably one of my most memorable performances thus far.
My deal will always be one solo performance-nominated or not. Not some thrown together rock tribute.
I have my own little sense of style. As far as image goes today for a new artist, you'll find that fashion is really important. I wouldn't want to show up for a performance in something that is absolutely the opposite of who I am as an artist.
In June 2002, airport security searched Al Gore. There's a lot not to like about Gore, but he's not a terrorist. Gore said he was glad he was searched. Why? To spare a terrorist the trouble? This is a serious national issue; why must liberals lie? Searching Al Gore is purely a religious act. It is the purposeless fetishistic performance of ritual in accordance with the civic religion of liberalism.
I'm satisfied with the way I play, but I don't evaluate my performances. I worry about what I can contribute defensively. I don't need to score. As long as we win, I don't care how many points I score.
We all get to choose where we set up the stage of our lives - before the Crowds, the Court, the Congregation, the Critics (inner or otherwise)-- or the Cross of Christ. All except One will assess your performance. Only One will accept you before your performance ... Only in Jesus is there 100% acceptance before even 1% performance.
The fundamental basis of above-average performance in the long run is sustainable competitive advantage.
A single year's performance is of minor importance and, good or bad, should never be taken seriously.
It is obvious that the performance of a stock last year or last month is no reason, per se, to either own it or to not own it now. It is obvious that an inability to "get even" in a security that has declined is of no importance. It is obvious that the inner warm glow that results from having held a winner last year is of no importance in making a decision as to whether it belongs in an optimum portfolio this year.
The feelings of being in the audience and being on the podium are very far apart. When you're onstage and something goes wrong, you can do something about it. In the audience, you just have to sit there, and if it's a disastrous performance, I'm the one that gets blamed.
When I'm preforming a lot I'm aching to get back in the studio but I love live performance. I love trying to think on my feet and be spontaneous. I like doing that in a live show and I do the same thing in the studio.
A demanding performance challenge tends to create a Team. In any situation requiring a combination of multiple skills, experiences and judgments, a team inevitably gets better results than a collection of individuals. Teams provide the kind of responsiveness, speed, on-line customization and quality that is beyond the reach of individual performance.
I like not to know, unless it's something that I need to know, specifically, for how I color a performance.
One would always like things to get other performances. With the lack of publishing here it's almost impossible to have an orchestral work done abroad because people simply don't know they are there.
I think that story wins out over acting and that the thing as a whole is more important than the performances therein.
It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.
I think it's one of those things about live performance - anything goes, anything can happen, and you have to just be ready and able to roll with the punches.
I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
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