I'd been used to this idea of destructive performance art instead of a slick, good-sounding show. So, I became frustrated as I felt I'd been doing the shows wrong. That sucked.
Walking back and forth also helps by creating the illusion that you are thinking of the routines on the spot, giving your performance a more spontaneous feeling.
Taping yourself and making yourself listen to the tape of each performance no matter how bad is really important. There's always a nugget line or a direction pointed out to you in even the worst show.
The Jackass movies are honestly some of the best movies I've ever seen. I laugh so hard at them. Those guys are geniuses. If they had grown up with a different group of people, they could've been performance artists at Bard College, and people would be writing papers about them.
The feelings of being in the audience and being on the podium are very far apart. When you're onstage and something goes wrong, you can do something about it. In the audience, you just have to sit there, and if it's a disastrous performance, I'm the one that gets blamed.
I think that story wins out over acting and that the thing as a whole is more important than the performances therein.
When I'm preforming a lot I'm aching to get back in the studio but I love live performance. I love trying to think on my feet and be spontaneous. I like doing that in a live show and I do the same thing in the studio.
Music is a performance and needs the audience.
Every time you watch a performance in the theatre, you know that this is just for you, and will never be the same again. It is quite exciting for me.
People have thought that some of my writing and lines are done by a machine. I'm able to move in a way that's part gestural dance performance, and it's fun for me, so I incorporate that into the painting.
The same dynamics that promote performance also support learning and behavioral change.
It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine] and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting.
A demanding performance challenge tends to create a Team. In any situation requiring a combination of multiple skills, experiences and judgments, a team inevitably gets better results than a collection of individuals. Teams provide the kind of responsiveness, speed, on-line customization and quality that is beyond the reach of individual performance.
Fun is only real and sustainable if it feeds off the team's purpose and performance aspirations.
Overcoming barriers to performance is how groups become teams.
Comedians don`t get Oscars, so I gave up on that a long time ago. And I can`t really speak about the Oscar-worthiness of my own performance.
I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
Nothing feels worse than having to break the stage down before the performance, and I mean nothing.
You can teach a bear to tango on a barrel but his enthusiasm and performance are limited and brief.
To me, 'Educating Rita' is the most perfect performance I could give of a character who was as far away from me as you could possibly get and of all the films I have ever been in, I think it may be the one I am most proud of.
For me, the performance was always playing different people. And so when I got older, was no longer the romantic leading movie star, it became more and more interesting for me, the characters I played, you know?
Three languages - the video, the music and the live performance - are awesome to bring together.
Nothing surpasses my performances with small bands, especially with Charlie Parker. A small band doesn't forestall creativity.
Jazz is America's own. It is played and listened to by all peoples - in harmony together. Pigmentation differences have no place... as in genuine democracy, only performance counts.
I went back to the Art Institute, then spent the summer at the Ox-Bow School in Saugatuck, Michigan. That's what really awakened me. I made a lot of oil paintings and my first performance.
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