You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.
Temples and churches have become social centers. They have lost their original purpose because the minds of the people are more attracted to worldly things than to prayer. The lips repeat the prayer mechanically like a phonograph record, but the mind wanders to other places. (23-24)
I just started to do my own thing for about a year and a half, and I worked in the evening selling phonograph records. Then I said to myself, "I'm afraid I have to go to New York after all."
After one of his [Hubert Humphrey] long-winded harangues I suggested he had probably been vaccinated with a phonograph needle. He responded by saying that I would have been a great success in the movies working for Eighteenth Century-Fox.
Phonetics, you know speech, all this kind of stuff, phonograph, simple, but when you unpack the meaning it actually kind of expands out and that is what I was going for in my book "Sound Unbound" was to try and get people to figure out how do we unpack some of the meanings that go into these kinds of sonically coded landscapes.
After telephone, kinematograph and phonograph had replaced newspaper, book schoolmaster and letter, to live outside the range of the electric cables was to live an isolated savage.
A computer is like a violin. You can imagine a novice trying first a phonograph and then a violin. The latter, he says, sounds terrible. That is the argument we have heard from our humanists and most of our computer scientists. Computer programs are good, they say, for particular purposes, but they aren’t flexible. Neither is a violin, or a typewriter, until you learn how to use it.
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