The photograph is not only a pictorial report; it is also a psychological report. It represents the feelings and point of view of the intelligence behind the camera.
Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs.
It is the unexpected and the surprise quality of a personal vision, rather than the emotion, which make people respond to a photograph.
The departure of our boys to foreign parts with the ever-present possibility that they might never return, taught the real value of photography to every father and mother. To many a mother the photograph of her boy in his country's uniform was the one never-failing consolation.
If all your life means to you is water running over rocks, then photograph it, but I want to create something that would not have existed without me.
We do not make photographs with our cameras. We make them with our minds, with our hearts, with our ideas.
The act of making a photograph is less a question of what is being looked at than how.
There are numerous daytime and night time photographs and videotapes of clearly non-human spacecraft from all over the world; these films and videotapes have been evaluated and deemed authentic by competent experts in optical physics and related fields.
Among the hundreds of so-called "UFO reports" each year, a sizable fraction of those clearly observed by reputable witnesses remain unexplained-and difficult to explain in conventional terms. There is a modicum of physical evidence, radar cases, residual effects, and some films-and photographs in support of the unexplained cases. Collectively, these cases constitute a genuine scientific mystery, badly in need of well-supported, systematic investigation.
I wanted my photographs to be as powerful as the last thing a person sees or remembers before death.
Cameras and lenses are simply tools to place our unique vision on film. Concentrate on equipment and you'll take technically good photographs. Concentrate on seeing the light's magic colors and your images will stir the soul.
The field of action of a photograph should be that chessboard of the heart and mind upon which poetry and art have always operated
Photography is a tool for dealing with things everybody knows about but isn’t attending to. My photographs are intended to represent something you don’t see.
I seek what lies beneath surface beauty. What interests me are intimate human complexities - the darkness as well as the light. I cannot will this kind of transcendent communication into existence. I have to be open and truly present, and if I am lucky, grace descends. My best photographs are an honest collaboration, and when the viewer also connects, I feel the circle is complete.
Photographing these flowers has made me see the world differently. It was as if I had lifted a secret veil from a subject I had loved and appreciated my whole life. I offer these photographs with the hope that they will open a new visual or meditative universe for you as well.
I tried to photograph the mysterious, true and magical soul of popular Spain in all its passion, love, humor, tenderness, rage, pain, in all its truth; and the fullest and most intense moments in the lives of these characters as simple as they are irresistible, with all their inner strength, as a personal challenge that gave me strength and understanding and in which I invested all my heart.
Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.
I'm still very sensitive and wary of people recognising me The only thing that really annoys me is people trying to surreptitiously take a photo on their phone without asking. I feel it's cowardly and a bit pathetic. Just ask me if you really want me to have a photograph with you.
I find still photographs make me quite self-conscious.
It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good
If you meet people who have been successful in Hollywood, or look a their photographs, you see a haunted look in their eyes, you sense a trapped feeling.
I will go to my grave regretting the photograph of me in an anti-aircraft carrier [actually, it was in an anti-aircraft gun emplacement, not a carrier], which looks like I was trying to shoot at American planes. [Actually, that was her intention in posing for the photograph the way she did.] It hurt so many soldiers. It galvanized such hostility. It was the most horrible thing I could possibly have done. It was just thoughtless.
If anybody wanted to photograph my life, they'd get bored in a day.
Has one hostage from Lebanon come back with a photograph of his abductors? Has any hostage ever come back with a photograph of his abductors smiling? I mean, this was so incredible!
Actors today go into TV, which I don't consider has a lot to do with acting. They only think of stardom. If you photograph well, that's enough. I have a terrible time distinguishing one from another. Girls wear their hair the same, and are much too anorexic-looking.
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