The single most important component of a camera is the twelve inches behind it!
What I'm trying to describe is that it's impossible to get out of your skin into somebody else's.... That somebody else's tragedy is not the same as your own.
The job of the photographer, in my view, is not to catalogue indisputable fact but to try to be coherent about intuition and hope. This is not to say that he is unconcerned with the truth.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
It matters little how much equipment we use; it matters much that we be masters of all we do use.
I am impressed with what happens when someone stays in the same place and you took the same picture over and over and it would be different, every single frame.
I don't like to work with assistants. I'm already one too many; the camera alone would be enough.
The camera makes you forget you're there. It's not like you are hiding but you forget, you are just looking so much.
There are no rules and regulations for perfect composition. If there were we would be able to put all the information into a computer and would come out with a masterpiece. We know that's impossible. You have to compose by the seat of your pants.
We are only beginning to learn what to say in a photograph. The world we live in is a succession of fleeting moments, any one of which might say something significant.
Anything that excites me for any reason, I will photograph; not searching for unusual subject matter, but making the commonplace unusual.
Notebook. No photographer should be without one!
We look at the world and see what we have learned to believe is there. We have been conditioned to expect... but, as photographers, we must learn to relax our beliefs.
Photography is a love affair with life.
Landscape photography is the supreme test of the photographer - and often the supreme disappointment.
I was in the right place at the right time.
My job as a portrait photographer is to seduce, amuse and entertain.
I have to be as much diplomat as a photographer.
Anything more than 500 yards from the car just isn't photogenic.
Oop! The Moment! Once you miss it, it is gone forever.
I don't get wrapped up in technique and the like.
There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.
At 42, I decided to become a photographer because it offered a means of creative thought and action. I didn't rationalize this, I just felt it intuitively and followed my intuition, which I have never regretted.
Experience is the best teacher of all. And for that, there are no guarantees that one will become an artist. Only the journey matters.
If I have any 'message' worth giving to a beginner it is that there are no short cuts in photography.
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