When you can't think of anything else, photograph graffiti, nudes, or plants.
Predators and prey always coexist. That's why we have galleries as well as photographers.
Only in art can you make something that no one wants and still be considered successful.
Advice to artists: always take the opportunity to shut up.
I've always thought photography was an art form, but it had very low appreciation in the beginning, except for some Europeans, and of course Stieglitz. Stieglitz always considered photography to be an art form and is the "father" of the creative concepts of the twentieth century.
A photograph is a picture and no more true or false than any other depiction; why is that so hard to comprehend?
I was drawn to photography as an extension of film, and the beauty of film is that it's a sensuous, fetishistic medium.
I don't really use still photography very much anymore except to document my work.
When I get interested in a new topic I teach a class on it. There's a graduate seminar I teach in which the students and I try to expand the terminology we use to talk about poetry as well as expand our notion of what makes a poem - we read source texts on architecture, dance, photography, film and the graphic novel.
I love photography. Photographers and photos. I took a ton of pictures in Paris, and I find that I'm most inspired by following other photographers on Instagram.
What inspires me still: travel, art, photography, my kids, the places I haven't been to yet.
I try to use photography to move people to action to save the wildlife in our beloved ocean.
We've witnessed so many revolutions in our society. Think of transportation, photography, or communications. Things once unimaginable have become seemingly impossible to live without.
My only interest in photographing is photography.
You've got a number of things that take place that are peculiar to still photography. One: how a picture looks - what you photograph is responsible for how a photograph looks. In other words, it's responsible for the form.
The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.
If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.
You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.
Something about photography is tied to a very specific relationship with the material world. It doesn't have to be, but the way I practice it, it is. So there's an act of observation, but it's not an act of objective recording. It's about framing something and seeing it and understanding that it's relational.
Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.
I went back to photography in the 1990s. But from the 60s to the 90s I didn't really take any photographs at all, unfortunately. During that period I lived in France, I lived in England, I lived all over the place in different cities. I didn't take any photographs and because I felt I had really accomplished everything that I wanted to in photography during the period between 61 and 67.
I've been a photographer for my whole life and I've done everything with photography that I felt I could do, and I always wanted to be a filmmaker.
I'm a big believer in practical and location photography.
It's shot by Ben Rayner who I think is very talented at doing portrait photography as well as fashion photography. His images never look like a model. You know, it doesn't look like a faceless model just wearing whatever. There's always personality that comes through. That was quite important for me to capture.
My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.
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