The two greatest plays ever written were Hamlet and Oedipus Rex, and they're both about father-son relationships.
There is a problem on the so-called commercial stage in New York. The price of a ticket is exorbitant, and there are no longer original productions possible, apparently, on the commercial stage. They are all plays that were taken from either England or smaller theaters, off-Broadway theaters, and so on. The one justification there used to be for the commercial theater was that it originated everything we had, and now it originates nothing. But the powers that be seem perfectly content to have it that way. They don't risk anything anymore, and they simply pick off the cream.
There are a lot of great players from Europe who have never played Augusta, but all the guys in America have all played St. Andrews. They've gone over and made a trip to play St. Andrews.
No matter how you play the golf course, no matter how well you play, you're going to have to make 6 and 8 footers for par. It's just a given here.
I can play a power game, but I also have the ability to step it up to another level and hit shots even further on call.
I'm not one of those actors who's very good at having a list of roles that I want to play someday - which is bad, because I really need to do it. I have people in theaters ask me what I want to do and I don't have an answer!
I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.
Entertainment companies always have to stay on the edge of trying to catch that certain thing that will grab people's attention. And that thing is always changing. Nintendo has been doing this for a long, long time. Originally, we weren't even a video game company, but we were still an entertainment company. So I can't say what that next thing is, but I can say, at Nintendo we're trying to create new ways to play.
I made my first mix tape when I was 14. I used to play basketball and ride bikes, but I think I just latched onto music because I figured I could be really good at it on my own.
When people say that a certain sport is not a sport - have them play that sport and see if they can do it. Golf is one of the hardest sports you've ever played. Bowling is all about concentration, it's all about focus, it's all about aim.
Villains can often be one note and I would say in that case, it’s not fun to play the villain. It’s fun to play the villain if he a) has dimension and b) the villain gets to do all the things in the movie that in life he would get punished for. In the movie, you’re applauded for them if you do them with panache. And so that’s why it’s more fun to play the villain.
I've written a lot of music, so to be able to put that together and play some shows around the country and elsewhere - that would really be a fun thing to do.
I like to flip through play scripts, not just my own; there is something exciting about seeing printed language on a page that triggers responses in me.
I love the students - they are remarkable, inspiring people. I would miss teaching if I stopped doing it. The kind of work I do is pretty diverse: I can cast a play while doing a polish of a screenplay, while thinking about a new play and revising another. In other words, the kind of work that I do during my work day is not just writing, yet it is all part of the job of being a playwright.
A lot of people play single to work some angle. I'm always about keeping it real. If that's how I'm living, that's how I'm living.
I normally don't initiate conversations with guys unless they want to talk about certain things - when I'm at the facility, I'm there to play football. If you want to talk about the meaning of life, games, whatever, I'm more than happy to, but when I'm in that building, I'm being paid to play football. Conversely, when I'm not at the facility, that's my life to live.
I, too, am deeply concerned with an overarching idea that dramaturgs are now authors . . .. I am not taking the position that all dramaturgs own copyright, deserve special billing credit, or should receive remuneration akin to that of the playwright. I know from my ears at the Dramatists Guild that almost everyone a writer encounters has suggestions of how to write and rewrite the play or musical to make it work.
It has been said that work is the highest form of play.
All is a play in consciousness. All divisions are illusory. You can know the false only. The true you must yourself be.
the French write plays and paint as naturally as we play jazz - it's just a national gift.
When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.
It's not like if I play in big places I won't be happy. But I don't want to start adapting to what's in style to make my music. I want to stay true to my roots, to keep making the music I love, that comes from my soul. And if there are people who want to listen to it, I'm happy.
Terrorists do not actually need nuclear weapons. They have been conveniently supplied with 103 nuclear power plants scattered throughout the United States (438 of these deadly facilities exist throughout the world). A planned meltdown at one of these facilities would make the World Trade Center attacks seem like child's play. The massive concrete containers protecting the reactors are not strong enough to withstand the impact of a jumbo jet.
The great enemy of creativity is fear. When we're fearful, we freeze up - like a nine-year-old who won't draw pictures, for fear everybody will laugh. Creativity has a lot to do with a willingness to take risks. Think about how children play. They run around the playground, they trip, they fall, they get up and run some more. They believe everything will be all right. They feel capable; they let go. Good businesspeople behave in a similar way: they lose $15 million, gain $20 million, lose $30 million and earn it back. If that isn't playing, I don't know what is!
Women lead in ways different from men's. Men, I think, have been programmed to give orders. Women have been programmed to motivate people, to educate them, to bring out the best in them. Ours is a less authoritarian leadership. I think women tend to play hardball less often. This is the trend of office politics anyway: the days of warring factions are over. We're talking now in terms of cooperation, and I think that is the game women play best.
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