It's true that writing can give new forms to concepts that existed previously with far less clarity, but in terms of the other half of a story's story - the way a story is received and interpreted and used - the audience plays a part in that too.
When I was younger I was much more polemical and didactic, much less trusting. Inherently my own vision of the world would weave its way through the characters. Also, my concerns are changing. What happens is you write a few plays and get boxed into some idea of what your concerns are and what you're supposed to be writing about.
When you play the bars, you pay your dues. It does matter that you know those things [songs]. And the great thing for me, too, is that I draw on that stuff as influences. It's also stuff that you put in the tank that you pull from to make records.
Before I decided to concentrate on writing, I drew pictures and painted, and made Super 8 experimental movies. I was the singer in three rock bands, and I wrote and staged and acted in plays for kids in my neighborhood. So I was kind of all over the place in my interests and far-flung in terms of where my creativity wanted to end up.
Poetry is a way for me to explore a tingly feeling, to let it play itself out, and also to map it. I feel like I'm making little star maps when I write poems.
There's nothing that compares to being in a band with your best friends. We're so comfortable together, we understand each other. It feels, like, normal. Whereas solo period felt like I was trying to be something, and play a role, and pretend.
the one thing I've observed over the years is the best way to get an actor to not want to play a certain role is to offer it to them. That makes them say, "Well, maybe it's not that good. These guys don't want me to do this..."
We [the band] had this open door policy - if you walked in the door, you were asked to play
My occupation is syncopation. But, every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to.
I know when I feel good when I play. There's a closeness with musicians you only get from playing live, even in the studio it's still playing live. For me, it's what expands my soul.
I honestly haven't thought much about what to play and where, perhaps i should...it seems like most musicians are better at that than I am.
When I dj at big venues I try to play tracks that I would want to hear if I were e'd up in a field with 50,000 other people.
I play weird. I'm always just behind. We [drummers] only have so much room. We're not guitarists.
Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.
I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.
I'm a musician and I'm really blessed, because in my life if I can hold the sticks, I can play.
I'm told I was acting in school plays when I was a tiny little boy at the age of three, so they must have seen something then. And even when I was practicing piano eight hours a day, I was still doing school plays.
I think the presidency is much too serious a thing to just play politics with.
Every time I step onto the field, whether people like it or not, I'm not trying to play dirty - I'm just playing tough. And I'm trying to earn my spot on the team. I'm trying to earn a starting spot. I'm trying to become a complete midfielder who attacks, who defends. So that's the mindset.
Every time I step in between those lines, I'm in the zone. If you get between me and the ball, you might get smashed a couple times. Things happen, plays happen.
I kind of play like a guy. I don't hold grudges. I don't get dramatic with things. If somebody slide tackles me in training and we leave the field, I'm still talking to them. I think that there's very few of us out there that can just take confrontation, and if you've got an issue with something, you can go to that person and say it.
There's no reason that young girls shouldn't feel like they can't smash people on the field. Nothing dirty. You want to keep it clean. You just want to play hard. Get your jersey dirty, shorts dirty, and just have fun out there.
There is no way I would play guitar like a tour de force like I did in Led Zeppelin. John Bonham, phenomenal drummer, young man with his technique, but do you think he would ever have the opportunity to play like that in another band? Of course he hadn't.
I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
I was raised in a typical Puritan Midwestern Methodist home and there was a lot of hurt and hypocrisy in those times. And I think that whatever part Playboy played and that I managed to play in terms of the sexual revolution came out of what I saw in the negative part of that life and tried to change things in some positive way so that people could choose alternate personal ways of living their lives.
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