There are no poetic ideas; only poetic utterances.
Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
The second, and I think this is the much more overt and I think it is the main cause, I have been increasingly demonstrating or trying to demonstrate that every possible stance a critic, a scholar, a teacher can take towards a poem is itself inevitably and necessarily poetic.
An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things.
The Resistance is a moral certainty, not a poetic one. The true poet never uses words in order to punish someone. His judgment belongs to a creative order; it is not formulated as a prophetic scripture.
Except here it's more power, more energy, younger and also in Europe it's still not only entertainment. Theater or films are looked at as a moral institution. That's why maybe they're so poetic. Here it's clear entertainment.
Any long work in which poetry is persistent, be it epic or drama or narrative, is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.
I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.
The poet's other readers are the ancient poets, who look upon the freshly written pages from an incorruptible distance. Their poetic forms are permanent, and it is difficult to create new forms which can approach them.
Mostly the thought and the verse come inseparably. In my poem Poetics, it's as close as I come to telling how I do it.
The poet's spoken discourse often depends on a mystique, on the spiritual freedom that finds itself enslaved on earth.
Being identified as a poet in France or Denmark or India one is greeted with gracious respect.
I never thought of myself as a New York poet or as an American poet.
If modern design moved the stage picture away from the specific, tangible, illusionistic world of Romanticism and Realism into a generalized, theatrical, and poetic realm in which the pictorial image functioned as an extension of the playwright's themes and structures (a metanarrative), then postmodern design is a dissonant reminder that no single point of view can predominate, even within a single image.
The freedom of poetic license.
The difference between prose logic and poetic thought is simple. The logician uses words as a builder uses bricks, for the unemotional deadness of his academic prose; and is always coining newer, deader words with a natural preference for Greek formations. The poet avoids the entire vocabulary of logic unless for satiric purposes, and treats words as living creatures with a preference for those with long emotional histories dating from mediaeval times. Poetry at its purest is, indeed, a defiance of logic.
Never is a historic deed already completed when it is done but always only when it is handed down to posterity. What we call "history" by no means represents the sum total of all significant deeds.... World historyonly comprises that tiny lighted sector which chanced to be placed in the spotlight by poetic or scholarly depictions.
There are in this world two kinds of natures, - those that have wings, and those that have feet, - the winged and the walking spirits. The walking are the logicians; the winged are the instinctive and poetic.
Indeed, so far from being humorous, the male American is the most abnormally serious creature who ever existed.. It is only fair to admit that he can exaggerate, but even his exaggeration has a rational basis. It is not founded on wit or fancy; it does not spring from any poetic imagination.
They best can judge a poet's worth, Who oft themselves have known The pangs of a poetic birth By labours of their own.
Spatial art does not begin with a poetic mood or idea, but with construction of one or more figures, with the harmonizing of several colors and tones, or with the devaluation of spatial relationships and so on.
If one hour's work is enough to govern France, four minutes is all that is needed for Italy. There is no nation more easily frightened; even its poetic imagination predisposes it to fear, and they look upon power as on an image that fills them with terror.
Poetic language is singularly appropriate for recounting the life of the king who is traditionally accepted as the author of the poetic psalms, some of which are included in the narrative.
As painters...we must always remember that our precious poetic visions and spiritual insights will remain forever locked within us until we can boil them down to a complex arrangement of a few hundred or possibly even thousands of brushstrokes.
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