People always say "pop culture." As if we have some high culture to distinguish it from.
I think there's real currency in pop culture.
I didn't know anything about Opus Die except from pop culture, like Dan Brown novels, which I knew wasn't really knowing anything about Opus Die.
I love to hang out with boys - I've got brothers - but I'm a girl's girl, in all the ways you can be girlie. Nails and chats and gossip magazines and reality TV and pop culture.
I definitely have to admit that I am fairly ignorant, not just to 'Tron,' but almost any pop culture thing that I should know, at my age. I grew up without a television and rarely got to see a movie, so I didn't really see any of that stuff, and I haven't been able to catch up since.
I've always loved books by the Bronte sisters. I love Jane Austen, too. I'm more influenced by people like her than by pop culture.
I can answer anything about any American pop culture song ever.
I love 'Guitar Hero,' and I think it's a part of pop culture.
It's just amazing to do something that's part of a pop culture phenomenon.
I love pop culture. I love to be inside of it, and step outside and look back in.
I think both of those: the subject matter, pop culture... the talent, I don't think... there's no Jim Belushi in Saturday Night Live, for me. And probably, you know, possibly the material. They've done everything over the years.
I think so much of our society is geared towards mainstream media and pop culture and so forth. And there's a huge divide between the artist and the fan. And with indie culture that wall is removed. You actually do see the musicians walking around enjoying the show. It's a distinctly different culture and for the 99% of Nirvana fans that caught up with them with Nevermind, my book is gonna give them a whole different take on Kurt [Cobain] and the band.
Sometimes something will be happening in pop culture and a movie will be right there, so you'll have this perception that maybe the movie got there first. But in reality, culture gets there first.
I'm a huge Nirvana fan and I like seeing things that at first seem out of context, but actually they're one of the biggest bands in the world. I like to see pop culture, like punk or alternative culture, clash with some other type of culture.
Sometimes that's the only way I exist, talking to people through pop culture.
I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.
We stay away from pop culture almost all the time, you know. That's sort of a rule. You won't really hear people on our show talking about Beyoncé or Adele. We try to make it a little bit more timeless.
It's funny how film is the slowest art form to adapt to freedom. It's had freedom all along. It could've done whatever it wanted to. You know the same freedom that do-it-yourself punk and post-punk musicians had in the late 70s and ever since. That's about the time I started getting interested in film, and I assumed that film would be moving along with the other pop culture forms. Its finally done it but it's taken decades for it to catch up just to basement band level.
I'm a pop culture junkie. I'm a People magazine reader, an US Weekly subscriber; all of those celebrity magazines get my dollar.
My mom was a big Elvis fan and a general pop culture buff, and so I grew up in a house filled with what were then called "movie magazines,"Before Elvis when Rhona Barrett wrote her column about the stars. And so it seeped in.
MTV Awards are fun - it's MTV! You never know what's going to happen. It's a slice of pop culture in the moment, and you can't take it too seriously.
I allude to Back to the Future in the 1985 story to let folks know it was an inspiration and because it literally was the most time-travelly bit of pop culture we had in the mid 80's. I can talk about their tools for considering change. First, the book is metafictive in a traditional sense where I'm showing and telling the reader that the act of writing and reading is a reflexive way to push boundaries of real and literal time travel. Writers and readers are time travellers. The question is what we do with that time we traveled when we leave a book, leave a page.
Why is thinking about crime or imagining crime so goddamn central to pop culture? It doesn't matter whether it's American TV or British TV. And there's entire sections of bookstores devoted to crime.
I just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think that's amazing. Satisfying this hunger is part of the responsibility of a creative person.
It's a matter of resisting what something made you feel before. And resisting that as a consumer is not easy. I know it isn't for me, and not just when I consume pop culture. When I go into a book and it feels too familiar, I don't have the energy to do it. My whole reason for reading it is to be in a fictive space that is unfamiliar to me.
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