I think both of those: the subject matter, pop culture... the talent, I don't think... there's no Jim Belushi in Saturday Night Live, for me. And probably, you know, possibly the material. They've done everything over the years.
I think there's real currency in pop culture.
I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.
It certainly wasn't taught in school beyond the idea of "girls can do anything that boys can do" - I understood that kind of pop culture feminism. I did not understand anything else about feminism.
Ken Griffey changed the game, but he also represented pop culture and the youth - how he wore his hat backwards, how he swung the bat and walked off...he brought energy to the game, class to the game. He was kind of the first person I really watched. He was a big influence.
I like cinematic art that doesn't have to include violence as the main meat of emotion. Now, excellence in cinema is based on murder, guns. Tarantino bores me. Even though he is very appealing and very facile about putting elements of pop culture into his work. But it kinds of dates it, right?
I think American culture had just become so disengaged from the process of government, and we'd been so fuzzed out by our pop culture around us, that I don't think people really saw this guy for what he was.
I just remember lot of men running around in little tiny gold shorts! The format - it was kind of hard. You really have to know about pop culture and I'm not really knowledgeable about a lot of those things. I know what I like. They'd ask about Gwyneth Paltrow, and I don't know anything about her, except her mother. I know who her mother is. So you really have to be current and relevant.
Probably I'm more of a fan of the literary references than the pop-culture references. But I do go to the pop-culture well quite frequently because people, I think, are sort of inherently ready to laugh at that. It's a free laugh almost. Usually, everybody gets it.
People always say "pop culture." As if we have some high culture to distinguish it from.
First and foremost, I'm a journalist. My business is the truth. Now, I happen to be other things, too - a pop-culture phenomenon, the most in-demand speaker on the campus lecture circuit, whatever.
It was pop culture, entertainment, Hollywood, award shows - these are the things that really captivated me as a kid. I would watch the Oscars and every award show with my parents. I would make lists of who was going to win.
You know, Mick Jagger's "Sympathy for the Devil." I think it was inspired by that [H.P.Lovecraft stories]. You don't know who's reading what, you know. It just comes out once in a while in the pop culture.
If you're starting to lose your faith in the general intelligence of the American populous, there's nothing like them mistaking pop culture for Van Gogh as a sign that people still read their history books and care about art.
I worry about what we'll do in the future, [about the instantaneous co-opting of pop culture]. Where is our new stuff going to come from?
Hip-hop has permeated pop culture for decades. For a long time, though, it seemed to permeate it in a such a way that it never really got its just due. Now, hip-hop seems to be getting that recognition and is more widely accepted, which is great.
There are pop-culture things on television [that I like]. Not so much in music at all.
We raise awareness and drop information about access and laws into pop culture spaces through making videos and through live events. That's like fifty percent of what we do.
Although, okay, in Scotland, the boys wear the skirts. But as far as pop culture, women were on the forefront of the unisex movement and I'm grateful to you.
It was life under the Soviet system - we were struggling with every big problem. Publicly, my parents had to queue up to buy food, but were able to live secret lives in their private rooms. With the TV set in the living room, we were able to see Western pop culture -a different reality from what we were living. For me, it was like two different universes existed at the same time, and we got used to being in these parallel universes.
If [the Conservatives] lose, we say, "Okay, we gotta change. We gotta improve, come back and win the next election." They [leftists] don't. When they lose and even when they win, because they know that they're in a numerical minority. But that numerical minority is a vast majority of pop culture and education environments. And so they just bully their way.
What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger.
It's a matter of resisting what something made you feel before. And resisting that as a consumer is not easy. I know it isn't for me, and not just when I consume pop culture. When I go into a book and it feels too familiar, I don't have the energy to do it. My whole reason for reading it is to be in a fictive space that is unfamiliar to me.
I just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think that's amazing. Satisfying this hunger is part of the responsibility of a creative person.
I love 'Guitar Hero,' and I think it's a part of pop culture.
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