I've purposely stayed away from reading much about postmodern theory, and most everything I have read just bored me to tears. I don't think anybody's written about it, or very few have, with any verve.
Conclusion: better to be a thinking monk than a postmodern thinker.
The cyborg is a kind of disassembled and reassembled, postmodern collective and personal self. This is the self feminists must code.
Beauty, therefore, for the modern and postmodern artist has become a highly dubious metaphor for a discredited belief system.
I spent four years doing a doctorate in postmodern American literature. I can recognize it when I see it.
I realized that my truest passion was for helping people change through faith in a higher power. That meant, for me, belonging to the church. Using my abilities to bring Christian doctrine to a postmodern world.
Postmodern theatre seems unwilling to listen to talk about textual or theatrical heritage, which it treats as no more than memory in the technical sense of that word, as an immediately available and reusable memory bank.
One of the stated goals of the postmodern movement in architecture was a greater sensitivity to the people who live in or use newly designed buildings.
Michel Houllebecq is surely the novelist who best describes contemporary phobias and fears. He also succeeds perhaps like no other in portraying the postmodern character of our society. He addresses the possibilities of genetics at times, or Islamism, and infuses all of it with a certain amount of absurdity. I get a very strong sense of that in "Submission." The way he toys with the absurd makes him an author sui generis, one who stands out from the others.
A 'modern' man has nothing to add to modernism, if only because he has nothing to oppose it with. The well-adapted drop off the dead limb of time like lice.
I have a huge respect for the dedication that many people have, on the other side of the Atlantic, to photography. You can count them on one hand here. There's less respect for a Magnum photographer in Britain than there is in America. It's a much more postmodern culture here.
We've become so postmodern as an audience and we're so familiar with the style of horror movies that they all kind of feel the same. I think if you can do something a little bit unexpected, then you as a filmmaker end up being one step ahead again. I think that's the key.
[Postmodern photography] implies the exhaustion of the image universe: it suggests that a photographer can find more than enough images already existing in the world without the bother of making new ones.
The larger the price tag, the more you have to adopt what I call the postmodern management approach. What I mean by that is that you have to use everything when you make a decision.
Architects thrive after massive urban disasters. The abject collapse of East Berlin gave us the only city in Europe with a mighty host of Postmodern skyscrapers.
I love the fact that I can go to a museum now that tells me I'm in the postmodern age.
As a cosmion incarnating the cells of a new body, New Lights will function as transitional vessels through which transforming energy can renew the divine image in the world, moving postmoderns from one state of embodiment to another.
American views today are weak, confused, and divided. On one side, many progressive liberals still think that we humans are essentially good and getting better and better. On the other side, many postmoderns actually think it is worse to judge evil than to do evil. And in the middle, many ordinary folk plaster life with rainbows and smile buttons and wander through life on the basis of sentiment and clichés.
There are also two Christianities in the world today. There is (1) the Christianity of the New Testament, and there is (2) the Christianity of accommodation to modernism, egalitarianism, niceness, naturalism, pop psychology, secular humanism, relativism, subjectivism, individualism, "Enlightenment" rationalism or postmodern irrationalism. New converts to the first Christianity are constantly amazed and scandalized by finding many of their clergy to be in love with the second and in fear of the first.
Postmodern comedy doesn't work well with very old audiences, because it's making fun of the comedy they enjoy.
Packed with fascinating personal perspective and testimony, Michael Takiffs A Complicated Man wholly justifies its title. The book is far more than a kaleidoscopic oral biography of President Bill Clinton. Aspect by aspect, it guides us through the struggles of postmodern America, as the most ambitious baby boomer of his generation seeks to modernize the Democratic Party-and, as in a Greek drama, is fated to be destroyed. Veritably, an all-American saga, with a cast of thousands-favorable and unfavorable.
In that sense, Obama is America's first postmodern president. If his predecessors tended to see the world in terms of good and evil, Obama sees the world in terms of victims and victimizers - with the United States often in the role of victimizer. In that view, long favored by the academic left that shaped a young Barack Obama, American foreign policy is one long train of abuses, marked by casual aggression and eager imperiousness.
Just like those other black holes from outer space, Hollywood is postmodern to this extent: it has no center, only a spreading dead zone of exhaustion, inertia, and brilliant decay.
Listen - God only exists in people's minds. Especially in Japan, God's always been kind of a flexible concept. Look at what happened after the war. Douglas MacArthur ordered the divine emperor to quit being God, and he did, making a speech saying he was just an ordinary person. So after 1946 he wasn't God anymore. That's what Japanese gods are like--they can be tweaked and adjusted. Some American comping on a cheap pipe gives the order and presto change-o--God's no longer God. A very postmodern kind of thing. If you think God's there, He is. If you don't, He isn't.
I love the combination of smartness, pain, and what one might call conscious postmodern trashiness in this book: a version of the erotic full of nervous tension which animates the sensuality, and also Zimroth's feeling for words, compressed, ironic, withholding, but also 'asking for it . . . the siege, the thrill, the battle fatigue.' A profoundly urban book, of harsh memory and fantasy, set in harsher reality.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: