I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.
The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.
At the premiere of Hairspray on Broadway, Harvey Fierstein's mom said to my mom, "Didn't we raise great sons?" and my mother just started sobbing, because I'm sure they'd both been through other nights when people didn't say that.
For sheer excitement you can keep movie premieres and roller-coasters . An empty white canvas waiting to be filled. That's the thing.
You only get one world premiere of your directorial debut.
I don't think that this movie is the kind of movie that a magazine like In Touch even cares about, if you know what I mean. It's a Lars von Trier film. They care about Moneyball, not Melancholia. They care about what I wear to Melancholia premieres; they don't really care about a Lars von Trier film.
With a live performance, you feel nervous because there's a sense it could do well or badly based on how well you are performing, whereas the only variable with a film premiere is technical, which invariably you have very little control over, whether the sound is good, whether the acoustics of the room are good.
For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.
I was fooling around one day and looking at Yahoo! Jobs. I typed in "photo" and, of course, what comes up is "One hour photo lab" or "Be a photographer in Disneyland" or jobs that no one really wants as a photographer. I saw, by chance, this ad that said, "Wanted: Photographer for premieres and Hollywood events" and I thought, "This can not be real. This is ridiculous. No one advertizes this!" I was really suspect about it.
It's like live action if you reshot every scene a million times after finishing the movie. Because even apparently by the very end, a few weeks before they were screening it for the world premiere, they were making changes. That's just simply something you can't do on live action.
We're all driven to premieres or nightclubs and seen the rope separating those who can enter and those who can't. Well, there's also velvet rope we have inside of us, keeping others from knowing our feelings.
Those of you that think filming is all glamour, you're so wrong! Really, only the premieres are the glitzy bits.
It has absolutely no meaning to me to be an executive producer on a film that I have nothing to do with except come to the wrap party or the premiere on; it's just meaningless.
My little sister told me about the Twilight books and what a big fan she was. She said, "It's like Harry Potter in love," which it's not. So, when the audition came up, I wanted to get the film for her. It was great because I got to take her to the premiere. She got all dolled up and was treated like a princess for the day.
I was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that.
I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.
We wanted to premiere it in New York, because New York is sort of the home of the Jim Henson Company and it's sort of the tone and flavor, always, of the puppet work that we've done traditionally. And that's what brought us here and now we're here.
I like doing the promotional work. It's part of the film's process. Cannes was very wonderful to premiere.
[Numbers] made me feel like a real person instead of a guy who shows up for two days on a movie, does some funny stuff, and then doesn't see anybody until the premiere.
I think I sort of realized it was an international thing when we went to South Korea for The Fast [and the Furious] 6 premiere. We knew nothing about South Korea, and we came through the sliding doors [at the airport] with my luggage and there were like 60 fans with Luketeer banners: "We're your Korea Luketeers." It was like, wow, this is amazing.
I just can't stand the sound of my voice sometimes, or how my face looks. There are always a few times at every premiere when I just have to cover my eyes when I'm up there.
I've reported murders, scandals, marriages, premieres and national political conventions. I've been amused, intrigued, outraged, enthralled and exasperated by Chicago. And I've come to love this American giant, viewing it as the most misunderstood, most underrated city in the world. There is none other quite like my City of Big Shoulders.
I think that being isolated from the Hollywood world of premieres and red carpet events was probably good for me because I could ease into those at will and by my own choice. But in other aspects, when it comes to fanfare, Hawaii is nuts and in L.A. they're all so jaded. They don't care.
The contracts are structured different than athletes in America, but for me, it was good to move on and go back to playing in the premiere league, which is the best league. It was disappointing, as far as the team goes, but for me, there wasn't much I could do.
I can tell you that, you know, when I went to my first movie premiere, it was my own movie, and I wore the best jeans I had and my favorite top. You know, I made sure my hair had some wave in it because I braided it the night before myself.
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