You know, I do projects that I really care about. I hope I'll stand by that until the day I die!
I'm actually developing a project so that I can have a lead.
The government forces you to give your money to things you don't believe in, to have your money go to projects that might be inherently immoral.
I face every project the same way - do it right and give 110%. 100% isn't good enough.
About a year ago I got really exhausted from reading bad scripts and I know that I am a writer and that I have stories to tell, so I thought, 'Let's do this!' So I'm co-writing a screenplay now with another screenwriter and loving it. Absolutely loving it. And I would like to be the producer on the project and of course the lead is me.
For me acting is a passion and an art, and always will only be that. I don't have any rules when it comes to acting. I'll do anything. But it depends on the script. Either I'll have passion for the project or I won't. It's got to fuel me.
In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts.
There are chakras in the hands; you've seen me use those quite frequently when I meditate. I project the shakti, the kundalini, through the chakras in the hands to people I meditate with.
I suppose it's not a social norm, and not a manly thing to do - to feel, discuss feelings. So that's what I'm giving the finger to. Social norms and stuff...what good are social norms, really? I think all they do is project a limited and harmful image of people. It thus impedes a broader social acceptance of what someone, or a group of people, might actually be like.
In art or architecture your project is only done when you say it's done. If you want to rip it apart at the eleventh hour and start all over again, you never finish. I was one of those crazy creatures.
The instruments, glassware, and chemical reagents necessary for my project were the same as my 19th-century predecessors had.
We could be the biggest pantyhose seller in America, but we don't want to weaken the link in shoppers' minds between Home Depot and do-it-yourself projects.
It's always flattering when somebody you really respect and like wants you to be involved in their project - let alone writes a part with your voice in mind.
There are dozens of unfinished or aborted projects in my files, but I can only assume they don't get done because they're not robust enough to struggle through the birth process.
A long project is like a secret houseguest, hidden in your study, waiting to be fed and visited.
I like to surprise myself. I've always been attracted to projects where I don't know how they're going to turn out.
Projects of personal transformation rarely succeed by accident, drift, or imposition.
I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.
When a business becomes successful seemingly overnight, no one knows about all the months and years you've invested, all the projects you've tried before that didn't work.
A young man, just beginning the study of musical composition, once went to Mozart and asked him the formula for developing the theme of a symphony. Mozart suggested that a symphony was rather an ambitious project for a beginner: perhaps the young man might better try his hand at something simpler first. "But you were writing symphonies when you were my age." the student protested. "Yes, but I didn't have to ask how."
Rewards can deliver a short-term boost—just as a jolt of caffeine can keep you cranking for a few more hours. But the effect wears off—and, worse, can reduce a person’s longer-term motivation to continue the project.
Ideas are easy to come by, they spring effortlessly out of the vacuity of the mind and cost nothing. When they are held and projected onto one's self or others they become a project. When the project is enacted it becomes the work, and when the work is completed it appears to be self-existent. Creation is the process of form manifesting from emptiness, where that which arises from the mind comes into existence. Yet the distance between conception and realisation may be enormous, as vast as the distance between the stars.
We've done all the work that HRC wanted on the twin and the project has been completed. We were consistently up there with the top guys and that is what HRC wanted to prove.
I am not opposed to doing a side project, like Death Cab for Cutie, where it's completely different from my own band.
Maimonides taught that it is better that 10 criminals go free than let one innocent man be executed. The Innocence Project represents that point of view.
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