If one cannot enjoy reading a book over and over again, there is no use in reading it at all.
A story should be like a river, flowing and never stopping, your readers passengers on a boat, whirling downstream through constantly refreshing and changing scemery.
Today a reader, tomorrow a leader.
Think of this - that the writer wrote alone, and the reader read alone, and they were alone with each other.
Each reader needs to bring his or her own mind and heart to the text.
Books are lighthouses erected in the great sea of time.
I have always been a reader; I have read at every stage of my life, and there has never been a time when reading was not my greatest joy
That is a good book which is opened with expectation, and closed with delight and profit.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
I don't care if a reader hates one of my stories, just as long as he finishes the book.
The more I suffer, the more I love.
I'm not frightened. I'm not frightened of anything. The more I suffer, the more I love. Danger will only increase my love. It will sharpen it, forgive its vice. I will be the only angel you need. You will leave life even more beautiful than you entered it. Heaven will take you back and look at you and say: Only one thing can make a soul complete and that thing is love.
Not all readers are leaders, but all leaders are readers.
A capacity and taste for reading gives access to whatever has already been discovered by others.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
Only one thing can make a soul complete and that thing is love.
Of all the diversions of life, there is none so proper to fill up its empty spaces as the reading of useful and entertaining authors.
A novel is like a bow, and the violin that produces the sound is the reader's soul.
Tell your readers to use it or lose it. If you don't use your muscles, they get weak. If you don't use your mind it begins to fail.
I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.
Readers and writers are united in their need for solitude, in their pursuit of substance in a time of ever-increasing evanescence: in their reach inward, via print, for a way out of loneliness.
What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.
Easy reading is damn hard writing. But if it's right, it's easy. It's the other way round, too. If it's slovenly written, then it's hard to read. It doesn't give the reader what the careful writer can give the reader.
The reader reads aloud, with a sing-song up … then down … then down again cadence. My mood shifts from merely reluctant to derisive. It’s a tired reading style. I’m sick of it. It attaches more importance to the words than the words themselves—as they’ve been arranged—could possibly sustain, and it gives poets and poetry a bad name.
There are a lot of snobs out there who disregard these books (romance novels), but they fulfil a need. I am happy and fulfilled in what I am doing and readers love them. And why not? They are harmless and they are fun.
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