In contrast to the written account-which, depending on its complexity of thought, reference, and vocabulary, is pitched at a larger or smaller readership-a photograph has only one language and is destined potentially for all.
Theodor Geisel (otherwise known as Dr. Seuss) spent his workdays ensconced in his private studio, the walls lined with sketches and drawings, in a bell-tower outside his La Jolla, California, house. Geisel was a much more quiet man than his jocular rhymes suggest. He rarely ventured out in public to meet his young readership, fretting that kids would expect a merry, outspoken, Cat in the Hat–like figure, and would be disappointed with his reserved personality. “In mass, [children] terrify me,” he admitted.
The concept of the Web is of universal readership.
It's a cinch that if you read it in an occult periodical or paperback, everyone's doing it. That should be your cue to avoid such stuff, lest you be relegated to the same readership level.
I'd like to emphasize that when a reader finishes a great novel, he will immediately begin looking for another. If someone loves your book, it increases the chance that he or she will look at mine. So there is no competition between writers. Another writer's success helps build a larger readership for all of us.
Most writers who are beginners, if they are honest with themselves, will admit that they are praying for a readership as they begin to write. But it should be the quality of the craft, not the audience, that should be the greatest motivating factor.
More people have more access to more readers for less money than ever before in history. It means a lot of dross; but it means a lot of very talented people can find and nurture a readership in ways that were not possible twenty years ago. From a creative perspective, that is all that writing is about.
It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership or his spy masters. And I think that both professions are perhaps rather lonely.
I am glad to have found a readership, but one can’t write only what is likely to sell. A writer is not a shopkeeper. A writer creates an imaginary world that he transmits to others.
I realized early in my career that precisely what one reader doesn't like is what another reader loves. Collectively, any writer's audience presents a mishmash of expectations that can never all be met. What one-tenth of my readership may not be crazy about the other nine-tenths savors. The moment you start altering a book or a painting or any type of art as if it's a public collaborative, you crucify its soul. I'd rather irritate a few people and delight a lot than touch no one." ~ Karen Marie Moning
This is a wonderful book, unique and engaging. Diaconis and Graham manage to convey the awe and marvels of mathematics, and of magic tricks, especially those that depend fundamentally on mathematical ideas. They range over many delicious topics, giving us an enchanting personal view of the history and practice of magic, of mathematics, and of the fascinating connection between the two cultures. Magical Mathematics will have an utterly devoted readership.
Sometimes I know the meaning of a word but am tired of it and feel the need for an unfamiliar, especially precise or poetic term, perhaps one with a nuance that flatters my readership's exquisite sensitivity.
I'm sometimes sort of in touch with the readership, and they seem to have perceptive questions, for the most part.
While editors and newspaper owners currently fret over shrinking readership and lost profits, they do the one thing that insures cutting their own throats; they keep reducing space for the one feature that attracts new young readers in the first place; the comic strips.
A blog is a message in a bottle, both in purpose and likely readership.
Keep in mind that in 1985, I had a potential readership of over 50 million Americans. At that time, a good portion of those were under 30.
The thing that makes stories memorable is the experiences they impart onto the readership and the emotions that they make those readers feel. The audience will forgive an incredible amount if you deliver them a powerful emotional experience - and, conversely, if your story is emotionally false, no amount of pyrotechnics will save it.
The fact people think that when you sell a lot of books you are not a serious writer is a great insult to the readership. I get a little angry when people try to say such a thing.
I think continuity is the devil. I think it's constricting and restrictive, I think it's alienating and off-putting, and it inflicts an artifact of linear time as we experience it on something that exists outside of linear time as well as keeps new readership away by keeping comics a matter of trivia and history rather than actual stories.
I'm not one of the people who has a kind of scholarly hat and writes in a certain way for an academic audience and then puts on a public intellectual hat and writes a different way for a different kind of readership. I generally write the way I write, no matter what and it seems to have worked for me.
I have to trust that if a story is strong, it can find its readership, and good editors can steer me well.
The fuzzy boundary lines between different readership ages have always puzzled me, so these days I just write what comes, and assume I can fix the mess later with an editor's help.
I think it's the next thing, getting out of the comfort-zone readership, that at some point you have to try and break out of that and see if you can go in new directions. I wanted to do something that felt a lot bigger than a book that's going to sit on a toilet.
Having that kind of endorsement and having Paul Graham's readership coming to your site and contributing to it and building the foundation of the community was just a really invaluable way to start Reddit.
I wanted to write a book that maybe had the potential to go beyond the Deadspin and KSK [Kissing Suzy Kolber] readership.
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