I don't go to conferences quite as much as I used to: having a child and movin away from the university leaves me with less time, but I've tried to balance things out - not just spending time with Linux all the time, but having a real job and a real life at the same time.
And I don't know where to find Ashley Danfield and all the other lovely commentators who show me live courtroom trials. To me, you know, I'm obsessed with it. Like I think maybe if I wasn't an actor I'd be a litigator. But, you know, it's always just shocking to see what happens in real life because most of the things that you see on those trials if you tried to write them into a TV series you would say oh gosh, no one would believe that would ever happen. But yet they always do in real life.
I have to start my real life soon, before I die of boredom and frustration.
I think one of the few times I've been involved with real-life characters was the story of Marie Bonaparte. I think it's really difficult to become someone that really existed.
Towards the end, one of them [children in "The White Queen"] was older than I was in real life.
My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
I believe that when people try to live their life at the fullest, there's a certain laughter that comes out of it. The more they try to live their life seriously, the funnier it is. It happens all the time in our real life.
I like to be challenged and stay true to my archetype. That's something I don't admit of being like in real life and I don't have to be. I always try to understand what would lead an individual to being that way, to being oblivious to the fact that he's somewhat insensitive and scared of commitment, and that psychological journey, and what traumas may have occurred in this person's childhood to bring him to that point.
I'm a hopeless romantic. I consider myself a realistic person who usually finds stories from real life people.
If Michelle Pfeiffer gave Mel Gibson a vial of blood to wear around his neck in a movie you'd think it was terribly romantic, everyone would cry and they'd win awards. But in real life if someone does that they'd be considered weird.
There was a long time in my life where I made music that I thought my friends would like, or that I thought would get me a record deal, or what I thought I was supposed to make because that's what I was seeing in mainstream. I didn't know myself; I didn't find myself musically or, in real life.
I got starstruck not by someone who is famous, but by someone who's famous in the miniature painting community. When I was a kid, I used to paint miniatures. There were famous people in the miniature community from forums online. I went to some big event and I saw them in real life and I was so starstruck.
Sometimes I don't want to go out and socialize; I just want to watch my favorite shows and comedians. But then I have to remember that it is important to participate in life if you want to portray real life on screen.
Everyone has complexes about their body or their ability and skills and dream of a rebirth into something different. I myself have always had that secret desire to become something completely different and enact revenge on certain things. So I do that through my movies. My desires become reality in the movie because it can't become real in real life.
In real life I'm obviously a lot more shy, but once I'm on set and in costume and I'm hidden behind the person I'm playing I feel quite free to experiment.
I love when I get to play these characters that are bigger than life. There are roles in animation that I never get to do in real life - and it appeals to my ego as an actor to play the Queen of Everything. I admit it.
So if you're a robot and you're living on this planet, you can do things that you can't do in real life - things that you wished you could do: like fly; like have a car that flies; like have furniture that is alive.
Clifford paints true-to-life characters with the same gritty touch as the best of Dennis Lehane. Straightforward and edgy, Lamentation gnaws with nail-biting tension on every page. A must-read for contemporary hardboiled mystery fans who appreciate the type of terse dialogue and real life conflicts and settings Elmore Leonard so richly brought to life.
You can have the right kind of experience and the wrong kind of experience. Mine is rooted in the real lives of real people, and it will bring real results if we have the courage to change.
I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that.
It's not surprising that you wouldn't see that side of me on television, but in real life I find the world to be quite a funny place.
There is a double-standard between men and women. My father was a major league baseball player, and I grew up thinking I could have the same attitude on the field that he did. When I did that in real life, people thought I was a total bi-atch.
For a lot of geeks, gaming is all about stripping who you are completely and entering this imaginary space, this world that's made for you, where winning and losing have nothing to do with real life.
God is life; and in that life which is God there are no years. ... The human sense of life is not your real life.
Filmmaking is about moments. In real life, things might take six months, a year, but [in filmmaking] you have to create the moment where it happened.
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