Ideas are so much flat psychological surface unless some mirrored matter gives them cognitive lustre. This is why as a pragmatistI have so carefully posited 'reality' ab initio, and why throughout my whole discussion, I remain an epistemologist realist.
The average personality reshapes frequently, every few years even our bodies undergo a complete overhaul - desirable or not, it is a natural thing that we should change. All right, here were two people who never would change. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they'd been given their character too soon; which, like sudden riches, leads to a lack of proportion: the one had splurged herself into a top-heavy realist, the other a lopsided romantic.
I'm quite optimistic. I'm also a realist. And I hope, you know, things work out. I don't think that the world will ever know peace. Complete peace in all countries. I think perhaps that's not in our makeup to do this although we can pray for it and work for it. But I think that the building blocks of peace are moving into shape, and I think that the world is going to be a better place.
I sing to the realists, people who accept it like it is. I express problems. There are tears when it's sad and smiles when it's happy. It seems simple to me, but for some people, I guess feelin' takes courage.
A lie is real; it aims at success. A liar is a realist.
Realists know where they're going. Dreamers have already been there.
When we refuse to accept our limitations, Nature, who is a stern realist, pays us out.
In love' is for the romantic. 'Love' for the realist.
I have always enjoyed dealing with a slightly surrealistic situation and presenting it in a realistic manner. I've always liked fairy tales and myths, magical stories. I think they are somehow closer to the sense of reality one feels today than the equally stylized 'realistic' story in which a great deal of selectivity and omission has to occur in order to preserve its 'realist' style.
The reason I don't like realist, photorealist, neorealist, or whatever, is that I am as interested in the artificial as I am in the real.
People say I'm such a pessimist, but I always was. It never stopped me from doing what I had to do. I would say I'm a realist.
How cold the vacancy When the phantoms are gone and the shaken realist First sees reality. The mortal no Has its emptiness and tragic expirations.
The positive thinker is a hard-headed, tough-minded, and factual realist. He sees all the difficulties clearly... which is more than can be said for the average negative thinker. But he sees more than difficulties - he tries to see the solutions of those difficulties.
Proverbs, like the sacred books of each nation, are the sanctuary of the intuitions. That which the droning world, chained to appearances, will not allow the realist to say in his own words, it will suffer him to say in proverbs without contradiction.
The effort of painting from life has cost my models a great deal of physical discomfort, and cost me a great deal of money in model fees... I have wanted to make the camera obsolete... because, in my reading about early 20th century art, I found that the most frequently used argument made in favor of abstraction was that the camera made realist painting obsolete.
Realist artists should join together in a worldwide effort... Sharing it with each other and teaching it - that is the key to the success and never-ending beauty and harmony of Realism.
I suggest that it is the honesty of the attempt to recreate the forms and spaces visually without artistic editing that is one of the hallmarks of realist painting.
Art Education is as important for a realist artist as an Alphabet is to learn a language.
A true architect is not an artist but an optimistic realist. They take a diverse number of stakeholders, extract needs, concerns, and dreams, then create a beautiful yet tangible solution that is loved by the users and the community at large. We create vessels in which life happens.
An architect is not an artist but an optimistic realist.
There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.
The pessimist sees only the tunnel; the optimist sees the light at the end of the tunnel; the realist sees the tunnel and the light - and the next tunnel.
Reading the morning newspaper is the realist's morning prayer.
The reclusive man who marries the gregarious woman, the timid woman who marries the courageous man, the idealist who marries the realist we can all see these unions: the marriages in which tenderness meets loyalty, where generosity sweetens moroseness, where a sense of beauty eases some aridity of the spirit, are not so easy for outsiders to recognize; the parties themselves may not be fully aware of such elements in a good match.
Any number of holier-than-thou honorable realists walk around in the belief that they have accomplished something, simply because they tell you for the hundredth time that a field is green and a red-painted house is painted red.
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