Everyone in this room knows that Venus is probably one of the greatest people on the tour. She's really great. She's super professional. Complete opposite of me.
You always try and make a film that is a letter that will be read and we are so glad that it is being read by the right people in the right place and is inspiring change. It is also gratifying that the survivors are finding it healing and transformative. That's been really great.
There are people I'm drawn to that you just can't do a tiny, no-budget movie with. I would like to pursue some of that stuff, to see if I could do a movie with some of those people. And I don't really write scripts myself, but if I read a script I thought was really great, I would totally be up for doing a more traditional movie. It's just that I don't exist in that world. right now.
Instructional programming is really great. To me, it's very enjoyable to watch a process.
I think matching up Vietnam vets with these Iraqi vets would be a really great thing. When soldiers say only other soldiers can understand, that's what they're talking about: what it means to kill.
It was fantastic returning to Being Human. When I got cast in the role, at first I just thought it was for one episode, and the fans were really great about it, and it was really nice having that reaction.
I have a really great show jacket from Lavalliere thats really well made, and I have a great pair of Gucci jodhpurs, which is hilarious.
Portland is a really great city, especially because I'm a shopper and there's no sales tax! That really adds up so fast, because in California, a $1000 pair of shoes ends up costing another $100.
You learn a great deal that you can feed into your craft which gives you the experience that you actually need later on, when you start to get the really great roles. You've played that part to a certain degree in that picture, and you played that one in that, and so on. You add it all up, and you have that experience.
As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.
I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.
No nation can be really great that is held together by Gatling guns, and no true loyalty can be induced and kept through fear.
I think a lot of people have this idea that if you put something on YouTube you'll get famous overnight. It would be really great if that was possible, but that's not really how it works.
I think you're just always trying to find really great, interesting female roles. That's the thing for me. You do have to think about what you're signing up for.
I was in rock music in London when it was the height of Brit pop, with The Kinks revival and Suede and Blur and Oasis, and all of those really great bands that were of a certain style. If I'd really been smart and commercially minded, I would have just got myself a blazer and some Stay Press and some Fred Perry tops, and just gone out and tried to do it like everyone else. Instead, I did this ridiculous thing of trying to do this music.
Many times, the game comes down to the final possession, the final shot. I want to become a better clutch performer. That's what separates the really good players from the really great players.
Brad Paisley has always been really great to me, and that's no secret.
...what's always exciting is when you hear something amazing when you least expected it. Every now and then I'll hear something for the first time that forces me to re-examine my frames of reference, and re-consider musical parameters in general, and that's wonderful . And what's even more wonderful in a way, is when you hear something that you know, and already think you have an opinion about, and then suddenly discover that it isn't what you thought it was, but something quite different, which makes it just as surprising as if you'd never heard it before. That's REALLY great!
It's funny because when I first met with Carmen, she said, "Have you ever thought about doing TV?" And I was like, "No, not really, but I'd audition for TV." And she said, "That's where the roles are for women now. That's where you can go and get a really great part."
I don't think the written word is important in movies anymore and the really great movies are done by great directors who in many cases write their own scripts. I think it's gotten to be more of a visual thing than an audible thing.
I do think that really great music will divide people, and people will love and hate it at the same time.
The great thing is that when you hire string players you always get really great players. I don't know why that is.
So when it came to making the movie I guess I had a really good sense innately of what it was that makes Halloween really great. In that it is a holiday for everybody now. When I was a kid I felt like it was mostly for kids, maybe that's just the way it always is when you're a kid, but I think now more than ever it's for grown ups too. When I was a kid I don't think there were quite as many sexy adult costumes and we definitely didn't have all these Spirit Halloween stores that pop up every October.
I simply find it boring to walk around like everybody else. I find it really great to stand out and do something special.
A really great actor, in a lucky performance, can transform himself or herself. I've seen actors do that. But often it's a mechanical transformation, which isn't as interesting, and you've got to be careful how you go about something like that, I think.
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