I've been writing and collecting songs on the ukulele for at least 10 years, so it was time to clear them out of the apartment building and make room for some new occupants.I need to make room for the bassoon record.
I remember back in 1994 when the Eagles charged more than $100 for tickets. They said, 'We ain't Pearl Jam.' That's back when records were selling and the Eagles had sold just about as many as anyone on the planet. And years later we're still charging less than them.
It's the coolest feeling signing your record. And it's great when people come to your shows and know the words to the new songs.
The ancients had a term in the mystical tradition called the Akashic Records, which was suggestive that nature didn't lose it's experience, that the information accumulated was available forever.
If I wanted to make a record to represent myself, I wouldn't put any (covers on it).
"Art Imitates life," of course, is that phrase by Oscar Wilde. I called that song "Art Imitates Life" because Oh No was in the studio and he actually came up with that hook. When I was trying to figure out a name for the record, it just kind of made sense.
I think I'm just trying to show a more mature side of the band and I think we've really come into the sound of our band. With every album we've grown, but I think this is just a really good picture of where we are right now and how we feel our music represents us. Under the thumb of other record companies we haven't had as much creative control and I think with this record we really did our own thing.
In a way, I think this album is stronger than the last one - in terms of not hiding behind anything. So in a way, I see this album as fiercer than the last. I just find it interesting hearing what people think. If that's people's interpretation, then that's valid and interesting. It's hard to try and neatly place a record like that.
I feel the same way about every album. I think it's better than the one before. I have a strong feeling that you can't put out a record until you hate the last one you did because you have to make it better.
I think it gave us the freedom to be more creative and do things the way we wanted to do them, so if a label liked it that was cool and if they didn't like it fine. Ultimately it was up to us to sink or swim and there was nobody telling us what direction to go in. I think that made the entire record more diverse.
I think it's stripped down as far as electronics go, but we just wanted to write a record that we felt better represented how we sound live with more of a rock feel, which is the direction we've been heading. It's just an evolution of the band throughout the years. We worked on this record longer than any other record, so I don't know if "stripped down" is how I would put it; I think it is a little bit more raw sounding.
My best friend from college engineered my record. He and I keep in touch on just a purely one-music-fan-to-another basis.
I'm just trying to make a good record that my fans will dig.
I'm really just tryna bring it home for my city, I'm trying so hard to be the best I can be on every record I do, every feature I do and every different city I go to.
I want to check the record books and see how many fathers and daughters have won Grammys together.
It's like any other job: there's a method to it and it's really important to get that down. I'm still working on it, I got a lot to learn. It's one thing to make records but it's a whole 'nother capacity to be a star - whatever that is.
It seems to take me about five years to get a record together, which is not a clever idea.
When I'm doing a drawing, I get lots of ideas I use them in my songs, even. I do a lot of drawings because that's where I get most of my spending cash and I just always have to have new records, to get something to satisfy my listening pleasure.
I didn't really feel any pressure when I've made records, I haven't as yet anyway. I feel when I'm making a record that I'm so excited about making new songs that when I'm doing demos of new songs, as soon as I make one that's really different I get really excited about the record, I don't care about the last record anymore.
I had BEEN making futuristic records way before a lot of the groups that came out, but now everybody is running to make their albums sound new, but it sounds too made up.
If you saw my musical collection it's absolutely horrendous, I've got everything from Stockhausen to The Beach Boys to Gina G, all sorts of terrible things and other people come here and look at my record collection and go, "Ah, you can't possibly like that - how embarrassing!"
The beats change, I mean you got a lot of artists out there advancing new sound, new technology, new beats everything sounding very futuristic, so I feel it would have been boring for me to do another hip-hop record.
Certain songs I feel different people should be on different tracks, you know it's emotional. I put myself into characters for certain records.
My favorite time in music is probably 1970-75. Still Bill by Bill Withers, Harvest by Neil Young, John Prine's first album, James Taylor's One Man Dog-I hope I can bring the same sort of spirit I hear on those records.
My parents had a huge pile of records - vinyl! - that I loved, especially the Motown stuff, Steely Dan, Stevie Wonder, Otis Redding.
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