Instead of of being so metaphorical with the rhyme, I was encouraged to go straight at it and hit it dead on and not waste time trying to cover things.
I think a lot of people can learn from listening to hip hop. It ain't always about beats and rhymes.
Oh, southern rappers... so hard to write a rhyme when you only know 30 words.
When I go onstage, I don't know what I'm going to say. I don't know what's going to come out of my mouth. It's one of those questions where any and everything is possible. I literally could be talking about somebody I was hanging out with two seconds ago or something from the news. Literally, there's really no rhyme or reason for it. I want to be free flowing like that.
For the young Gaels of Ireland Are the lads that drive me mad, For half their words need footnotes And half their rhymes are bad.
There is no business like show business. There is also no business like certified public accounting, but that doesn't rhyme as well.
We spent a long time learning the craft of songwriting, Roger Glover and I, for a few years before we joined Deep Purple. You learn about the percussive value of words, and you learn about rhyme and meter. You learn that you can't transform a poem into a song lyric, mostly because the spoken shape of words is different than the sung shape of words. You wouldn't use the vowel 'U' or the vowel sound 'ooo' for a high note for example, its very difficult.
So sometimes if I'm working with a rapper, like Ghostface Killah or Nas, producing usually means, in hip-hop, that you make the music. You make the beat, and you give it to them. And they write the rhymes.
A good emcee will rhyme a lot of different ways. Don't limit yourself.
Take 7 emcees put em in a line And add 7 more brothers who think they can rhyme It'll take 7 more before I go for mine And that's 21 emcees ate up at the same time.
My songs can make you cry, take you by surprise at the same time, can make you dry your eyes with the same rhyme
Like a French poem is life; being only perfect in structure when with the masculine rhymes mingled the feminine are.
History says, Don’t hope On this side of the grave, But then, once in a lifetime The longed-for tidal wave Of justice can rise up, And hope and history rhyme
And I'd marry you, Harry. Because it rhymes.
Time, ain't nothin, but time. It's a verse with no rhyme, and it all comes down to you.
I wish I had the gift of making rhymes, for methinks there is poetry in my head and heart since I have been in love with you.
I'm tired of love; I'm still more tired of rhyme; but money gives me pleasure all the time.
Rhyme patterns are nothing without meanings to the words. A lot of rappers can do those flows, but the raps aren't really about anything - which is cool sometimes, but to have the flow and the message is one of my favorite things.
Loafe with me on the grass—loose the stop from your throat; Not words, not music or rhyme I want—not custom or lecture, not even the best; Only the lull I like, the hum of your valved voice.
...these poets here, you see, they are not of this world:let them live their strange life; let them be cold and hungry, let them run, love and sing: they are as rich as Jacques Coeur, all these silly children, for they have their souls full of rhymes, rhymes which laugh and cry, which make us laugh or cry: Let them live: God blesses all the merciful: and the world blesses the poets.
The flower bloomed and faded. The sun rose and sank. The lover loved and went. And what the poets said in rhyme, the young translated into practice.
I start to think, and then I sink Into the paper like I was ink When I'm writing, I'm trapped in between the lines I escape when I finish the rhyme.
MCs get a little bit of love and think they hot, Talkin bout how much money they got...all y'all records sound the same. I'm sick of that fake thug, R&B-rap scenario, all day on the radio, Same scenes in the video, monotonous material. ...Y'all don't hear me though: These record labels slang our tapes like dope. You can be next in line and signed, and still be writing rhymes and broke.
God is a novelist. He uses all sorts of literary devices: alliteration, assonance, rhyme, synecdoche, onomatopoeia. But of all of these, His favorite is foreshadowing.And that is what God was doing at the Cloisters and with Eudora Welty. He was foreshadowing. He was laying traps, leaving clues, clues I could have seen had I been perceptive enough.
We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall -- which latter, it would seem, is now near, among all people.
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