The resolution of the Phoenix Saga was one of the most frustrating experiences that I think any of us ever had, but I also think it was the right move. The decision, three years later, to undo the Phoenix Saga with the resurrection of Jean was less so, but that's in my opinion.
On reflection, some things do super well because they hit with the time. Some things do super well because they are able to activate a kind of echo chamber or bandwagon or cascade - they didn't particularly hit with the time. Some things are just too astonishingly good to not hit the top. Those three explanations, with respect to the Star Wars phenomenon, seem to me all to pass the plausibility test, and to explore them, with respect to Star Wars, I think casts light not just on the saga of our time, but also on everything about our culture.
The Fall of the House of Zeus is a riveting American saga of ambition, cunning, greed, corruption, high life and low life in the land of Faulkner and Grisham. These are good ol' boys gone bad with flair, private jets, and lots of cash to carry. Curtis Wilkie, a child of the South and a reporter's reporter, is the perfect match for this wild ride.
Icelandic peoples were the ones who memorized sagas... We were the first rappers of Europe.
If I want to read S.J. Perelman's Chicken Inspector No. 23 for the third time instead of some anguished, politically correct saga of a girl growing up in a trailer park in Kingman, Arizona, with an alcoholic mother who makes her straighten her naturally curly hair and won't let her date a Navajo boy or pursue her goal of becoming (naturally) a writer, I will. And I will laugh like a lunatic while doing it.
It is fun, revisiting a role. Usually, as an actor, you do a movie and you put that character up on a shelf, and he's done. That character is now immortalized on film, but you don't get to play him again. In these films [Twilight saga], we got to revisit these characters, and we didn't take that for granted.
How do things, whether they are movies, or plays, Hamilton, or people, ideas - how do they become transformative or iconic? That is in some ways what the actual Star Wars saga gets at, with the tale of the rise and the fall of the empire and the rise and the fall of Republics.
I think we're all fans of Twilight. Being in this Saga, you become a fan. I have the whole DVD collection at home. I put it on every day and watch it at least five times a day. Is that weird?
Gypsy [Rose Lee] is as unique as she is timeless. Her story is classic Americana, and the strangest rags-to-riches saga you'll ever read; I like to call it Horatio Alger meets Tim Burton.
I don't know how people will remember this series [of the Twilight Saga] at all. It's crazy how intense people are.
The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.
I've said, I think since the second one [part of Twilight Saga ], that it's going to take 10 years to really settle in my brain, and I'm four years into it.
Against the odds, John Carter is itself pretty amazing-an epic pulp saga that slowly rises to the level of its best imitations and wins you over by degrees. I say that as a grown-up moviegoer; behind me at a recent screening was a row of 10-year-old boys who were ecstatically in from the get-go. That's probably all that matters.
Before 'Twilight,' occasionally I would get the 'Hey are you that girl from that movie?' but no one knew my first and last name. The fans of the saga are amazing, and it's very flattering.
Write about small, self-contained incidents that are still vivid in your memory. If you remember them, it's because they contain a larger truth that your readers will recognize in their own lives. Think small and you'll wind up finding the big themes in your family saga.
After the first one [Twilight Saga movie], as soon as people start referring to something as a franchise. A franchise is a Burger King or a Subway. It's not a movie. The people who start to say it are generally the people who are making money off of it. That's how they refer to it. They love it when something has become a franchise. But, as an actor, I think it's scary.
With empathy you know in your heart that it's not a sign of weakness to attempt to understand that the people we call terrorists have placed the same label on us, and that the use of force will create a counter force, a never-ending saga of killing and hate. Ending war involves cultivating empathy in our policies and the love of God in our hearts. As the Native Americans reminded us: No tree has branches so foolish as to fight among themselves.
Vengeance is a strange human motivation --- it can drive a man to do things which he neither would nor could achieve without it ... and because of that it lies behind some of the greatest sagas of human literature!
So all hail the honorable, microphone phenomenal Persona is unbombable? Trust me son, I continue like a saga do, bringin' you the drama to allow you that the chronicle has just begun.
I heard about Bhagavad Gita very early in my childhood, from the age of five onwards. It was one of the earliest things I started to read when I started to read. And it was very much a part of my consciousness. In the beginning, I saw the "Bhagavad Gita" as a text that was very classical, much like the "Iliad" and the "Odyssey" - a mythical saga that showed the eternal conflict between good and evil. But much later, as I grew up, I realized that it was much more than that.
But most men regard their life as a poem that women threaten. They may not have two spondees to rub together but they still want to pen their saga untrammelled by life-threatening activities like trailing round Sainsbury's, emptying the dishwasher or going to the nativity play.
To think that only faultless people are worthwhile seems like an incredible exclusion of almost everything of deep value in the human saga. Sometimes I can't believe the narrowness that has been attributed to God in terms of what he would approve and disapprove.
I always say this will be my last Metal Gear, but the games in the series that I've personally designed and produced-Metal Gear on MSX, MG2, MGS1, 2, 3, 4, Peace Walker and now MGSV-are what constitute a single Metal Gear Saga. With MGSV, I'm finally closing the loop on that saga.
Roecker sure is a romantic about certain things, like art and music, though you might not know it from watching Live Freaky! Die Freaky!, his claymation musical retelling of the Helter Skelter Charlie Manson saga.
If I didn't see its place in the Saga when I planned it, I probably wouldn't write it at all.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: