Comics also led a lot of young people to science fiction.
Something like 'Alien,' that was not so easy. If there's any genre I wouldn't mind not having to do anymore, it would be science fiction. It's just all to do with the toys, and there's so much hanging around.
When I was a kid, I was a big science fiction fan, but current horror books were harder to get your hands on.
I'm sure there's an alternate universe where I got to become a pulpy science fiction writer.
For me, fantasy and speculative science fiction are the genres that feel closest to how I feel about being alive. Like, when I feel the most invigorated by just even a walk down the block in twilight, when the street lamps are just coming on and there's mist and some shadowy thing in silhouette in a window, I naturally invest all of those things with deep mythology and mystery and meaning. I think I need to believe in that version of reality because I get very scared when I don't.
In Poland, my audience is all women between 18 and 30. At U.S. conventions, you have the fantasy and science fiction crowd. At Harvard you have an entirely different audience. It's so schizophrenic.
People as me how I do research for my science fiction. The answer is, I never do any research.
I love the fact that it's not only about Star Trek, but about science fiction in general, and science.
One of the most poignant pieces of recent science fiction for me was the portrayal of the adults in the Pixar film WALL-E. I feel like we're on the cusp of becoming fat babies in floating chairs being fed everything in shake form, and I feel like I am as prone to laziness as anybody.
It was an excess of fantasy that killed the old United States, the whole Mickey Mouse and Marilyn thing, the most brilliant technologies devoted to trivia like instant cameras and space spectaculars that should have stayed in the pages of Science Fiction . . . some of the last Presidents of the U.S.A. seemed to have been recruited straight from Disneyland.
If you're going to make a science fiction movie, then have a hover craft chase, for God's sake.
Psychic, though? That sounds like something out of science fiction. We live in a space ship, dear.
He who controls the spice controls the universe.
Science fiction is not prescriptive; it is descriptive.
I do enjoy reading some science fiction.
One of the liberating effects of science fiction when I was a teenager was precisely its ability to tune me into all sorts of strange data and make me realize that I wasn’t as totally isolated in perceiving the world as being monstrous and crazy
In really, really good science fiction the line between the science and the fiction is blurry.
I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.
Science fiction also provides a sense of nostalgia that is always present when it comes to Palestine, in that whenever we talk about Palestine, it is never in the present, but either remembering a past or imagining a better future. Submitting gritty Middle Eastern politics to high production sci-fi in this manner not only underlines the absurdity of the situation, but brings about a dystopian future scenario.
If it has horses and swords in it, it's a fantasy, unless it also has a rocketship in it, in which case it becomes science fiction. The only thing that'll turn a story with a rocketship in it back into fantasy is the Holy Grail.
My fiction is reviewed by the mainstream press, by science fiction periodicals, romance magazines, small press publications and various other journals, including some usually devoted to archaeological and other science material.
Science fiction does not remain fiction for long. And certainly not on the Internet.
You need to read more science fiction. Nobody who reads science fiction comes out with this crap about the end of history
Peter Watts has taken the core myths of the First Contact story and shaken them to pieces. The result is a shocking and mesmerizing performance, a tour-de-force of provocative and often alarming ideas. It is a rare novel that has the potential to set science fiction on an entirely new course. Blindsight is such a book.
Blindsight is excellent. It's state-of-the-art science fiction: smart, dark and it grabs you by the throat from page one. Like a C J Cherryh book it makes you feel the danger of the hostile environment (or lack of one) out there. And it plays with some fascinating possibilities in human development, and some disconcerting ideas about human consciousness. What else can I say? Thanks for giving me the privilege of reading this.
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