I was raised on comic books, and I love science fiction.
I like fantasy. I like horror, science fiction because I can get avant-garde with those performances in those movies.
Good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract.
Science fiction is a way that I can go into the abstract, go into the imagination, and audiences are still willing to go along for the ride.
'Knowing' is one of those movies where you're going to get the spectacle, and you're going to have the entertainment in the grand science fiction tradition. But also, it will perhaps stimulate some discussion to help you sort out on your own where you might choose to go in terms of your own needs. Now, I say that without preaching.
It's better to read first rate science fiction than second rate science-it's a lot more fun, and no more likely to be wrong.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
Very little in science fiction can transcend the gimmickry of a technical conceit, yet without that conceit at its heart a book is not truly science fiction. Furthermore, so little emerging thought and technology is employed by sf writers today that the genre is lagging far behind reality both in the cosmology area and the technology area: sf is no longer a place to experiment, but is now very derivative.
Most science fiction seemed to be written for people who already liked science fiction; I wanted to write stories for anyone, anywhere, living at any time in the history of the world.
Obviously I don't want to make a film that offends people, but the whole world is so politically correct - I'm not going to not do something because it may be politically incorrect. At some point, the metaphors and allegories break down. They disappear, and you just have science fiction.
Science fiction without the science just becomes, you know, sword and sorcery, basically stories about heroism and not much more.
Futurism today is led by science-fiction writers, by sociologists, by historians. Now, I have nothing against them. I'm sure they do great work. But they're not scientists. They're clueless.
In the 1950s, we had all these B-grade science-fiction movies. The point was to scare the public and get them to buy popcorn. No attempt was made to create movies that were somewhat inherent to the truth.
Science fiction was never my thing. I have no interest in it.
Science fiction was never my thing. I have no interest in it. So I don't think I could successfully pull off being on a project like that without really losing my mind.
Yes - 90% of fantasy is crap. And so is 90% of science fiction and 90% of mystery fiction and 90% of literary fiction.
I grew up obsessed with science fiction, and when I was really young, I wanted to be a scientist.
We are in a tech-heavy society, plunging headlong into an unknown future. Science fiction is what allows you to stand back and analyze the impact of that and put it in context of how it affects people.
When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches.
Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever.
Today's recording techniques would have been regarded as science fiction forty years ago.
I don't really see science fiction as fiction. I can imagine colonies on Mars and everything.
What I love about the 'Alien' franchise is I would do all kinds of films - dramas, comedies, whatever - and every now and then I'd be in this science fiction blockbuster that would re-introduce the character and me to a lot of audiences around the world and allow me to go back and do the smaller films again, so it was really a good balance for me.
There are loads of sociopolitical, racial, class and future-planet situations that really interest me, but I'm not really interested in making a film about them in a film that feels like reality because people view that in a different way. I like using science fiction to talk about subjects through the veneer of science fiction.
I've always been a fan of science fiction. My family, we all used to watch 'Star Trek' together, which is kind of a nerdy family activity.
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