If we now seek the spiritual significance of the technique of Michelangelo we shall find that his sculpture expressed restless energy.
Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
You cannot reduce the situation to worm jokes, Will. This is Gabriel and Gideon’s father we’re discussing.” “We’re not just discussing him; we’re chasing him through an ornamental sculpture garden because he’s turned into a worm.
Dressing well is a kind of good manners, if you ask me. When you're standing in a room, your effect is the same as a chair's effect, or a sculpture's. You're part of someone's view, you're part of that world, and so you should dress well. I find it's a show of respect to try to put on your best face and look as good as you can.
Music is a means capable of expressing dark dramatism and pure rapture, suffering and ecstasy, fiery and cold fury, melancholy and wild merriment – and the subtlest nuances and interplay of these feelings which words are powerless to express and which are unattainable in painting and sculpture.
When an actor is in the moment, he or she is engaged in listening for the next right thing creatively. When a painter is painting, he or she may begin with a plan, but that plan is soon surrendered to the painting's own plan. This is often expressed as 'The brush takes the next stroke.' In dance, in composition, in sculpture, the experience is the same: we are more the conduit than the creator of what we express
You like it, that's all, whether it's a landscape or abstract. You like it. It hits you. You don't have to read it. The work of art-sculpture or painting-forces your eye.
It took me 40 years to find out that painting is not sculpture.
Never yet could I find that a black had uttered a thought above the level of plain narration; never saw even an elemental trait of painting or sculpture.
Most of the arts, as painting, sculpture, and music, have emotional appeal to the general public. This is because these arts can be experienced by some one or more of our senses. Such is not true of the art of mathematics; this art can be appreciated only by mathematicians, and to become a mathematician requires a long period of intensive training. The community of mathematicians is similar to an imaginary community of musical composers whose only satisfaction is obtained by the interchange among themselves of the musical scores they compose.
Art, after all, is traditionally displayed against vacancies: paintings on dun walls, sculptures in empty spaces, music in quiet halls.
That sculpture is more admirable than painting for the reason that it contains relief and painting does not is completely false. ... Rather, how much more admirable the painting must be considered, if having no relief at all, it appears to have as much as sculpture!
There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic.
Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them.
The first snow always startles. It covers the tricycle in the driveway, turning its frame into an abstact sculpture that says: See how quickly yesterday turns into today.
They are more beautiful than anything in the world, kinetic sculptures, perfect form in motion.
We search out the most perfect pieces of rock. It's so amazing that these formations are so perfect for climbing on. It's almost as if they were created for climbing. You're taking these random rock formations and you're bringing to it this interaction. It transforms it from being this random rock into almost this piece of art. It's almost like a sculpture or something. Just by finding the handholds, finding that line up the rock. Every climb is different, has its own unique set of movements and body positions. Climbing and my appreciation for nature are totally intertwined.
And like no other sculpture in the history of art, the dead engine and dead airframe come to life at the touch of a human hand, and join their life with the pilot's own.
The truth is revealed by removing things that stand in its light, an art not unlike sculpture, in which the artist creates, not by building, but by hacking away.
There is a great deal of emotional satisfaction in the elegant demonstration, in the elegant ordering of facts into theories, and in the still more satisfactory, still more emotionally exciting discovery that the theory is not quite right and has to be worked over again, very much as any other work of art-a painting, a sculpture has to be worked over in the interests of aesthetic perfection. So there is no scientist who is not to some extent worthy of being described as artist or poet.
I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
I love my sculptures, and I was lucky I had them for 50 years because no one would look at them and I really liked having them around.
We are each given a block of marble when we begin a lifetime, and the tools to shape it into sculpture... We can drag it behind us untouched, we can pound it into gravel, we can shape it into glory.
I don’t have a theoretical language for music. I’m really inspired by sculpture, so I like to say, ‘you’re not making music, you’re creating a space. You’re building a room, putting some objects in it, and seeing what happens to the objects over time.’
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