When I was in art school, the photo kids were separated from the rest. If you did sculpture or painting or graphic design, you were all taking the same classes, but the photographers just went straight into photography.
I have always wanted some way that you could make a surface in a computer, like you pick up a piece of clay and make sculpture.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
I'm putting my consciousness towards trying to teach people through pictures and sculptures that there's something better in the world. That's what the world needs more of.
With Gnaw I was thinking about traditional sculpture, about carving. I was also interested in figurative sculpture. I put those two ideas together and decided that rather than describing the body, I would use the body, my body, as a tool for making art.
Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden).
Until film is just as easily accessible as a pen or pencil, then it's not completely an art form. In painting you can just pick up a piece of chalk, a stick or whatever. In sculpture you can get a rock. Writing you just need a pencil and paper.
The criminal justice system is accurately symbolized by a large sculpture that sits at the foot of the United States attorney's building: four metal circles that interlock. The wheels of justice, as it were, frozen in legal and social gridlock.
But once a culture develops sufficiently to become skeptical, the idea of censorship becomes less attractive. To suppress a book or a picture or a sculpture or a play or a film is a terrible act of aggression against the artist who created it. This is a miming of capital punishment; it destroys the life that has been emanated by a life.
I prefer you to take as your model a mediocre sculpture rather than an excellent painting, for from painted objects we train our hand only to make a likeness, whereas from sculptures we learn to represent both likeness and correct incidence of light.
In truth, the best long-term explanations about our ancient counterparts can be found in the paintings, sculpture, crafts, tools of utility, language and architecture left behind. These are the building blocks of civilization we call culture. These are what we call 'the arts.
If an artist has no experience before he makes a painting or a sculpture, he is not an artist.
Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.
[I have a] way of making narrative sculpture, where first you make a text and out of that text you make objects. [...] I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate.
There is a primacy of each individual object. And we'll see! That's the whole point of making sculpture, to present a question in a physical form to people.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
It's a stage with four lights clamped to it with walls made out of plywood. And then my name's in the center. It's the type of thing that can be made over and over again. It's not like a Michelangelo sculpture.
I wish I could play music. I think I get as closeas possible with the editing of the films. Over the years musichas been an even more important influence than-or as important as-film.There's no doubt about it. Painting, movement, dance, sculpture-it'sall in cinema.
In my sculpture, it's not an image I am seeking, it's not an idea. My goal is to re-live a past emotion. My art is an exorcism, and beauty is something I never talk about.
I was studying sculpture and painting and was working on a degree so I could become a teacher. I really liked teaching, and it was something I was pursuing when I got out of school.
The main source of my income is through the commissions of the large-scale works and big sculptures, the projects.
If you were going to make sculptures of them, the swivel poems would be disparate objects all attached with hinges and the prose poems would be small sheep wrapped in extra wool.
I have never, not once, gone on television and not received some email or tweet or comment about my hair. Without fail. Isn't that absurd? All it does is make me want to shape my bangs into a sort of middle finger-like sculpture.
When I was about fifteen, I went to work at Yosemite National Park. It changed me forever. Nature had carved its own sculpture, and I was part of it, not the other way around.
Three things are needed for success in painting and sculpture: to see beauty when young and accustom oneself to it, to work hard, and to obtain good advice.
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