Sculpture Quotes - Page 9

• Im sick of the foodies who need every morsel that goes into their mouth to be a Picasso painting, a Giacometti sculpture, a Proust novel, evoking the world with each crumb.

  Jessi Klein

  Sick, Needs, World

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• The charm of fine manners is music and sculpture and picture to many who do not pretend to appreciation of these arts.

  Ralph Waldo Emerson

  Appreciation, Art, Manners

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• In a way, a garden is the most useless of creations, the most slippery of creations: it is not like a painting or a piece of sculpture-it won't accrue value as time goes on. Time is its enemy' time passing is merely the countdown for the parting between garden and gardener.

  Jamaica Kincaid

  Garden, Enemy, Pieces

  Jamaica Kincaid (2001). “My Garden (Book)”, p.96, Macmillan

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• Every day you have to abandon your past or accept it and then, if you cannot accept it, you become a sculptor.

  Louise Bourgeois

  Past, Accepting, Abandon

  Louise Bourgeois, Museo Nacional Centro de Arte Reina Sofía (1999). “Louise Bourgeois: memoria y arquitectura : Museo Nacional Centro de Arte Reina Sofía, Madrid, 16 de noviembre de 1999-14 de febrero del 2000”, Actar-D

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• My mother teaches high school English, and she's an artist and a poet and a sculptor, she's published twelve poetry books. I grew up in a household in Venezuela with living, breathing art installations that were the way that she used to express herself, a highly creative environment where ideas were celebrated, where artistic expression was celebrated. Seeing her as somebody who was always able to have a creative output - if she felt sad, she wrote a poem, if she felt happy, she made a sculpture - I think for me, there was an early interest in finding outlets for my passions.

  Jason Silva

  Mother, Art, Book

  Source: www.assignmentx.com

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• It is easy now to communicate with people through abstraction, and particularly so in sculpture. Since the whole body reacts to its presence, people become themselves a living part of the whole.

  Barbara Hepworth

  People, Body, Easy

  Interview in The Studio, 1962.

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• The art of mastering life is the prerequisite for all further forms of expression, whether they are paintings, sculptures, tragedies, or musical compositions.

  Paul Klee

  Life, Art, Expression

  Paul Klee (2012). “Paul Klee”, p.61, Parkstone International

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• The paintings to me are always canvas, sculpture has always been metal, though I have made sculpture in wood also.

  Ellsworth Kelly

  Woods, Painting, Canvas

  "Ellsworth Kelly creates from all angles". Interview with Kenneth Baker, www.sfgate.com. May 10, 2009.

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• I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.

  Janet Echelman

  Art, Real, Drawing

  "Imagination Becomes Reality" by Janet Echelman, www.huffingtonpost.com. December 13, 2012.

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• Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.

  Werner Herzog

  Religious, Men, People

  "Cave of Forgotten Dreams (3D) - Werner Herzog interview". Interview with Rob Carnevale, www.indielondon.co.uk.

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• I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all the arts combined. Students are always asking me for advice, and I tell them that they have to be enthusiastic, because it's hard work. The only way to enjoy it is to be totally immersed. If you don't get involved on that level, it could be a very miserable job. I only have one regret about my career: I'm sorry that we are not making silent movies any more. That is the purest art form I can imagine.

  Vilmos Zsigmond

  Movie, Music, Art

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• Whenever I am embraced by land and seascape I draw ideas for new sculptures; new forms to touch and walk around, new people to embrace, with an exactitude of form that those without sight can hold and realize... ...It is essentially practical and passionate.

  Barbara Hepworth

  Sight, Land, Ideas

  Studio International 171, p.280, June 1966.

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• Sculpture is, in the twentieth century, a wide field of experience, with many facets of symbol and material and individual calligraphy. But in all these varied and exciting extensions of our experience we always come back tot the fact that we are human beings of such and such a size, biologically the same as primitive man, and that it is through drawing and observing, or observing and drawing, that we equate our bodies with our landscape.

  Barbara Hepworth

  Men, Primitive Man, Drawing

  Studio International 171, p. 280, June 1966.

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• One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.

  Tobin Bell

  Character, Trying, Way

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• The museum is full of interesting things. All kinds of paintings are there. And then paintings too thick to put in a frame, that they call sculpture. And then there are spectators. with their scorecards, rooting for culture. And spectators of the spectators, looking for love's introduction. And art students taking notes. And old women trying to remember the past. And old men with too much to forget. And tourists, thinking that a museum represents a city. And loafers so poor, they study their soberness here.

  Marvin L. Cohen

  Art, Men, Thinking

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• Let us not be too much acquainted. I would have a man enter his house through a hall filled with heroic and sacred sculptures, that he might not want the hint of tranquillity and self-poise.

  Ralph Waldo Emerson

  Men, Self, House

  Ralph Waldo Emerson (2000). “Selected Writings of Ralph Waldo Emerson: (A Modern Library E-Book)”, p.433, Modern Library

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• Sculpture and painting are very justly called liberal arts; a lively and strong imagination, together with a just observation, being absolutely necessary to excel in either; which, in my opinion, is by no means the case of music, though called a liberal art, and now in Italy placed even above the other two--a proof of the decline of that country.

  Lord Chesterfield

  Music, Country, Art

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• I learned about Chinese ceramics and African sculptures, I aired my scanty knowledge of the French Impressionists, and I prospered.

  Bruce Chatwin

  Chinese, Ceramics, Impressionists

  Bruce Chatwin (1997). “Anatomy of Restlessness: Selected Writings 1969-1989”, p.14, Penguin

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• Guido the plumber and Michelangelo obtained their marble from the same quarry, but what each saw in the marble made the difference between a nobleman's sink and a brilliant sculpture.

  Rob Kall

  Hope, Differences, Choices

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• A statue lies hid in a block of marble, and the art of the statuary only clears away the superfluous matter and removes the rubbish. The figure is in the stone; the sculptor only finds it. What sculpture is to a block of marble, education is to a human soul. The philosopher, the saint, or the hero,--the wise, the good, or the great man,--very often lies hid and concealed in a plebeian, which a proper education might have disinterred, and have brought to light.

  Joseph Addison

  Education, Wise, Art

  Joseph Addison (1856). “The works of ... Joseph Addison, with notes by R. Hurd”, p.96

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• If you're going to be a visual artist, then there has to be something in the work that accounts for the possibility of the invisible, the opposite of the visual experience. That's why it's not like a table or a car or something. I think that that might even be hard for people because most of our visual experiences are of tables. It has no business being anything else but a table. But a painting or a sculpture really exists somewhere between itself, what it is, and what it is not-you know, the very thing. And how the artist engineers or manages that is the question.

  Richard Tuttle

  Thinking, Artist, Opposites

  "Drawing & Exhibitions: Richard Tuttle". Art21 Interview, art21.org. September 2005.

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• Without the definiteness of sculpture and painting, music is, for that very reason, far more suggestive. Like Milton's Eve, an outline, an impulse, is furnished, and the imagination does the rest.

  Henry Theodore Tuckerman

  Music, Imagination, Doe

  Henry Theodore Tuckerman (1852). “The Optimist: A Series of Essays”, p.61

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• I look at every piece of furniture and every object as an individual sculpture.

  Kelly Wearstler

  Looks, Pieces, Furniture

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• Dancing and building are the two primary and essential arts. The art of dancing stands at the source of all the arts that expressthemselves first in the human person. The art of building, or architecture, is the beginning of all the arts that lie outside the person; and in the end they unite. Music, acting, poetry proceed in the one mighty stream; sculpture, painting, all the arts of design, in the other. There is no primary art outside these two arts, for their origin is far earlier than man himself; and dancing came first.

  Havelock Ellis

  Art, Lying, Men

  havelock ellis (1923). “the dance of life”

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• Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.

  John Ruskin

  Beautiful, Death, Horse

  John Ruskin (1902*). “Works”

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