You might have been able to fool people the first time, or something, but you really can't make a successful sequel today unless people really, really liked the predecessor.
Sure, you could go out and make Jaws today. But all of the sequels to Jaws weren't good. They are all worthless. The Godfather II is the only sequel that I have ever seen that is as good as or better than the original.
I think I've done a lot of movies that people would like to have seen a sequel to. But I grew up in a time when we didn't do sequels. You just did a movie because you wanted to do a movie and you wanted to tell a story. It wasn't to build a franchise.
I'm not much on sequels; I'm not much on remakes for the most part. I don't really like or dislike them.
I'm just trying to think what other sequels there were. There was the James Bond movies and not many. I think sequels have become a recent idea of franchising.
In features, one of the goals is to have the audience walk out, fully satisfied. In today's world, it's maybe wanting a sequel.
The challenge in scoring a sequel is, how do you not get bored? The only way around that one is to go, "Okay, let's throw everything out that we had before and let's just see it as an autonomous movie, and let's just start again."
I love cartoons. So when they came to me to make Ice Age and this sequel, I was so happy.
For those people who are going to tune in strictly for the pyrotechnics, we have better and bigger explosions. That's a prerequisite of any sequel. But in terms of this, what we're really monitoring is watching the gas industry light our institutions, light our regulatory agencies, light our democracy on fire.
The reason why people don't get called back to sequels is because they did badly in the original [movie].
You know, people really know me from 'The Best Man.' I've done five other movies since then, but it always comes back to 'The Best Man.' It was time to do the sequel.
We are cannibalizing our audience by only giving them regurgitated material. Every movie is either a remake, a sequel, based on something else. Based on a former television series. Based on a successful videogame.
There are a lot of parallels between doing a sequel and doing low budget movies, which is they give creative parameters. As a creative person myself, I work better with parameters as opposed to anything goes.
Every sequel needs to be bigger and better.
I'm not contractually obligated to sequels on anything.
If you think about it, a lot of great horror films have bad sequels just because the market demands you to make the other one right away.
In some ways, you get to find your voice better in [a sequel] because you have to define how you're doing it differently.
On the sequel, you've lost the element of surprise. Usually, on the first one you may not go very, very deep into character; the second one you start to explore the character a bit more.
Summer movie idea: take all the sequels that are out right now, and make movies about their backstories.
He is the straight to video sequel to your summer hit movie. He is the verse to that song on the radio you have to hum cause you can’t remember the words. You couldn’t break this kid’s heart, he is so far beyond that. This is the kind of kid who blew out the candles on hope all alone for too many birthdays to remember. And no one has ever fallen in love with anyone with a smile that’s dripping with “please die”.
Akmon squealed with delight. “I knew you were as smart as Hercules! I will call you Black Bottom, the Sequel!
Taken as a whole, the Chinese revolutionary movement led by the Communist Party embraces the two stages, i.e., the democratic and the socialist revolutions, which are two essentially different revolutionary processes, and the second process can be carried through only after the first has been completed. The democratic revolution is the necessary preparation for the socialist revolution, and the socialist revolution is the inevitable sequel to the democratic revolution. The ultimate aim for which all communists strive is to bring about a socialist and communist society.
Maybe because I'm a child of the 80's, but for me a sequel is a story that follows the previous one, and sometimes if you haven't seen the original then you don't understand the second one.
A human being having a full emotional conversation with a dog is funny, innately. It's one of those things where you get in a scene and you always go for what is the best joke, and a talking dog for some reason, whatever he says, is hilarious." (about his role wiht a talking dog in the forthcoming MEN IN BLACK sequel.
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