We all approached doing a sequel with great trepidation and skepticism.
I turned down Short Circuit 2 too and I now wish I hadn't. Sequels are a lot of fun and you get to hang out with all your friends.
I'm proud of all the movies I've made. They're not sequels, they're not franchises. And the reason I pick my films carefully is that I don't want to spit on my life. I like to think of myself as more than that.
I'm not big on sequels; I've done them, but I like doing little things that have their own timelessness to them, classic type things, and then you go onto something new.
Working with Jim Carrey is an absolute gas. I have never laughed so hard for so long. Had he been on-board for the sequel of Dumb & Dumber, I would've jumped on, with no hesitation.
When you do films that have multiple sequels, you develop a character for a film.
I didn't think one day something would happen that would bring me back to Wall Street to write what is essentially a sequel.
I think Danny Boyle's got it in his head that we all still look too young (to do a 'Trainspotting' sequel.) But, I mean, I don't look like anyone I play, anyways, so I don't really know where that comes from. Because, you know, you change yourself for the roles. I'm actually not Scottish, either!
Like a lot of people, for a long time I thought that the road to hell is paved with bad sequels.
So however much time has passed since Legacy came out would also have transpired in the real world. So it will still be contemporary. So let's say if the Tron sequel comes out later, then four or five years have passed since the last movie.
With Katrina, it's almost like the sequel that doesn't live up to the original. It's certainly a shocking event and a tragedy, but somehow as a big event it doesn't seem to carry as much weight with the public as 9/11 did.
is grey, and I like that about all the characters, the killer, the driver... the movie has a very unlikely Hollywood ending, at the same time it helps you for a sequel too. Those are the things that I think are attractive, it's more, its real life, and people can identify with it and it just grounds it to a certain degree. That's the reason why.
I always like to make sequels. It's a nice business to be in.
I would LOVE to be in the Star Trek sequel! Yeah! I would love to! I better write that letter to J.J.[Abrahams]
You have to be very careful when you're working on a sequel, because it has to be a continuation of what you did before.
Father's Day just be Mother's Day the sequel.
We kind of have some ideas for sequels. The movie [Sausage Party] ends in a way that implies a next chapter.
Transformers: Revenge of the Fallen is beyond bad. It carves out its own category of godawfulness. And, please, you don't have to remind me that the original was a colossal hit ($700 million worldwide) and the sequel will probably do just as well. I know it's popular. So is junk food, and they both poison your insides and rot your brain.
I'm not looking for sequels, but when something comes to you, and you're already a fan of that world, you have the desire to do it your way.
In a couple of years I think it [sequel to What We Do] will come out as a script and we'll shoot that. Or maybe it will just come out as some t-shirts.
It's an unusual way to write a crime novel, to have these lingering, fairly large story points, but it's something I knew I had to do if I wanted to write a sequel...but, you know, people still have to read and enjoy this book, or it's a moot point.
Always drawn to the theatric, Bowie also performed in stage productions of "The Elephant Man" and just recently collaborated on "Lazarus," an off-Broadway musical that's a sequel to his 1976 role in the film "The Man Who Fell To Earth."
I think a lot of people end up making sequels to movies just because the first one did a lot of business, and I think what people have learned is that it doesn't matter if the first one did a lot of business or that people want to go see another one just to see another one.
Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.
There's a certain amount of empathy you need to have, and I've also never been one to call it in. I know some roles are easier for certain people, especially when there's the sequel and a third and a fourth one.
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