I was delighted with the film [Payback: Debt and the Shadow Side of Wealth]; it almost made me want to be a film-maker!
The Hindu, the Oriental, says that the physical is but the shadow of the Eternal, of the Truth; and he says 'In order to understand the Truth, I must let the shadow go, and not concern myself with it, but with the understanding of the Eternal.' So he does not concern himself with the physical. He is more concerned with the quality of mind and heart. Hence there is disease, there is disorder, and there is chaos and neglect and the gradual running down of the physical.
I need sometimes to hang back in the shadows with my pen and paper, and then other times, I need to take center stage in my own creations. The trick is to know when to hang back, and when to step forward. It's a perpetual ongoing balance.
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
If I am acting out in any particular way that is harmful to myself - without a shadow of doubt, there is a feeling suppressed under wanting that second candy bar. Often, it is that little voice I haven't paid attention to. It's generally not the adult voice. If I take a moment to address that and figure out what that is, the desire for the candy bar seems to dissipate.
In a way, America's the shadow of everything I do, everywhere I go, everything I carry, no matter if I travel to the ends of the earth. And I live frequently on the spine of the continent, near the Great Divide. Then there's the side of it being the real energy center for a truly post-postmodernist poetry mind, which is also archaic, because we can still be close to the land.
We stand in the shadow of the Bible today as opposed to in the pages of the Bible. I think that the biblical illiteracy comes as a direct result of a failure to recognize that the DNA of western civilization comes from a biblical worldview.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
As far Chicago, our city was designed with racism in mind, with neighborhoods segregated by expressways and train tracks. Even suburbs, like Highland Park, have long histories of barring Jewish and black people. That history that has always existed has come out of the shadows because of the social and political climate.
The first total eclipse that I witnessed was in 1970. I was an amateur astronomer. But after I saw the total eclipse, it couldn't be a once-in-a-lifetime experience, because it was too spectacular. I needed another eclipse fix, because I got hooked on the shadow.
Half of the devices that we encounter in terrorism cases, in counterintelligence cases, in gang cases, in child pornography cases, cannot be opened with any technique. That is a big problem. And so the shadow continues to fall.
I went to film school and studied Alfred Hitchcock. I knew of Alma Reville existence, but had no idea really who she was or how influential she was on him. She stayed in the shadows. Go online, and there are hardly any images or film of her. She really stayed out of the limelight on purpose. She didn't want it, and I think that's one of the reasons that she's really lost in the shadows of Hitchcock's history to a degree.
Contrary to Warhol's 15 minutes of fame, I think that today in front of insatiable curiosity of the crowd, we would be better off to remain secret as long as possible, work in the denser part of shadows.
The world is always somewhat vicious. I take that as a given, but at various times in various circumstances that fact will be no more than a shadow or an echo behind some poem. Other times it will be more manifest. I try to write myself into articulations of half-felt, half-known feelings, without program. I'm always working toward getting my world and, hopefully, the world outside of me into a version that makes sense of it. Viciousness requires the same precision as love does.
The mobility of the eye is such a fundamental treasure that we have, and that coexists with sensation. On the dance floor, you are totally in reality, while also experiencing this dream imagery of changing colors and wet surfaces of skin. Sometimes it's the shadow outline in the strobe light, and in another moment it's the closeup of an armpit that you're looking into. I'm not photographing all the time, but it's something that I actually see all the time, and not just on the dance floor.
The image is a great reminder how we create our world through interpretations made up of language and symbols. Our language and symbols are always incomplete versions of a greater reality. Here is why inquiry is such a powerful tool when compared to simple advocacy. Inquiry allows us to discover what might be outside the cave instead of arguing about the shadows on the wall.
Faced with the potential of mass atrocities and a call for help from the Libyan people, the United States and our friends and allies stopped Gadhafi's forces in their tracks. A coalition that included the United States, NATO and Arab nations persevered to protect Libyan civilians. So this is a momentous day in the history of Libya. The dark shadow of tyranny has been lifted, and with this enormous promise the Libyan people now have a great responsibility: to build an inclusive and tolerant and democratic Libya that stands as the ultimate rebuke to Gadhafi's dictatorship.
It's important to view fashion as personal and creative - even for brides. When brides ask me, "What's the best advice you can give me on my wedding day?" I always have the same answer: "Be yourself." Someone's marrying you, they love you for who you are, and they don't want you to be someone else, they want you to be who you are. If you never wear blue eye shadow, why would you put it on on your wedding day? If you wear your hair simply, why would you suddenly dye it a different color and get a big 'do? To me it's about respect and self-understanding and honesty.
Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
If depression has been viewed as a taboo subject in the church, then suicide and suicidal thoughts are the darkest secret of all. Talking about it doesn't make it more real or powerful; it brings it out of the shadows into the light and love of Christ.
I study Carl Jung, who talks a lot about the shadow side, the repressed side. I think the scariest thing in the world is repression. There's plenty to be idealistic about, but we have to be aware of all sides of ourselves, and there are definitely shadows in all of us.
Fame is the shade of immortality, And in itself a shadow. Soon as caught, Contemn'd; it shrinks to nothing in the grasp.
When the sunset of life arrives, and its twilight shadows fade away; while dreams of the next begin to appear more vividly; may the inner-light essence of the Buddha, and all the radiant awakened ones, continuously guide us onwards and upwards, on the path of spiritual enlightment.
The devil considers all misplaced trust as devil worship, for he hides himself in its shadows.
If you can't see the sun you will be impressed with a street light. If you've never felt thunder and lightning you'll be impressed with fireworks. And if you turn your back on the greatness and majesty of God you'll fall in love with a world of shadows and short-lived pleasures.
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