After Buddha was dead, his shadow was still shown for centuries in a cave.
We live in strange times. We also live in strange places: each in a universe of our own. The people with whom we populate our universes are the shadows of whole other universes intersecting with our own. Being able to glance out into this bewildering complexity of infinite recursion and say things like, 'Oh, hi, Ed! Nice tan. How's Carol?' involves a great deal of filtering skill for which all conscious entities have eventually to develop a capacity in order to protect themselves from the contemplation of the chaos through which they seethe and tumble.
Jealousy is almost like a shadow of love. If we can grow our love, it takes over the whole energy of jealousy and transforms it into love. It is an alchemical change.
Just as darkness is born of the absence of light, the shadow side of our collective experience is born of ignorance of the underlying truth of the unity of life.
Cynicism, disillusionment, and a dispiriting sense of purposeless has cast a shadow over American society seriously draining it of any language or vision that might imagine a different sort of society from the dysfunctional, militarizing, and deeply unequal social order that marked the current historical period.
Before my book, the most common assessment of Eleanor Marx is "Yes, she's great but basically she's in the shadow of her father." Absolute bollocks. She fought him, she resisted, and she was not a kind of trocadateur of his ideas.
It's changed dramatically in our lifetimes. Communism is gone, so now the global war is framed in religious terms. Fundamentalist religion is rampant on all sides of this war. It casts a very dark shadow over non-fundamentalist religion.
If you encounter a human shadow burned permanently into the concrete in Hiroshima, you realize that this is the trace of a very ordinary person now elevated into the emblematic. Time, shame, complicity, or discomfort are the only things that make us pretend History is impersonal or far removed from the power and consequences of our every lived moment.
I went on tours with [Bob] Dylan - the big one was in 1975 and called Roaring Thunder Review. I knew him well because I met him around the time he did his second album, in 1963. He recorded one of my songs called Shadows. In the 1970s, it was suggested that we do a duet, because we had the same manager, Albert Grossman, who also managed Odetta and Peter, Paul and Mary. Dylan and I respected what each other did, but I just decided not to do it.
We live on planet earth, we have the sun, and it's the most beautiful thing, the way the sun dances and the way shadows are cast.
So basically, it just really represents our band and we didn't even think about that when we decided to call it 'Warpaint'. And then through getting asked questions about "why is that song called 'Warpaint'?" - then we realised, "oh my god! THAT'S why!" And we didn't even know why... but that's why! And then 'Shadows' is just... I love that song and it's personal to me. I love how it turned out!!
It seemed that I could tell the whole story pretty powerfully in those 18 months between October of '62 and the spring of '64 when they were all at their peak. And yet you could see some of the shadows of Detroit's demise coming.
I want immigration reform to pass, I want people to be able to come out of the shadows.
I've laid down in dried up streambeds, leaving a shadow. And then, five minutes later, it's flash flooded, and where I once laid is now running water, which would've washed me away, you know? There's that power and danger often in places that look so calm and pastoral to begin with.
The one that came really easy was the Japanese lover, because he's like a ghost in the book. He's always in the background like a spirit, like a shadow, almost. There's a very delicate line there.
I also acknowledge that prejudice runs very deep in our society. And, in the real world, discrimination rears its ugly head in the shadows, where it's very difficult to root it out.
John Cassavetes was there at night while I was working. After they [with his friends] discussed as much live TV as they felt they needed to, they started improvising scenes just for the fun of it and one of those scenes everybody got very interested in and it turned into Shadows [1959]. That movie was entirely improvised.
[Hillary Clinton] has talked about not being a natural campaigner. And she has this big shadow because her husband, the former president [Bill Clinton], and President [Barack] Obama both are natural campaigners. And so this is a challenge for her.
Whenever I'd feel angry or sad, I'd keep it to myself. I didn't want to upset or burden anyone with my problems. No wonder I felt lonely and isolated in my relationships, since I never allowed anyone to get to know the full me with all the shadows and sorrows.
I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.
Astrology is a disease, not a science... It is a tree under the shadow of which all sorts of superstitions thrive. ... Only fools and charlatans lend value to it.
The bride and groom-May their joys be as bright as the morning, and their sorrows but shadows that fade in the sunlight of love.
Whoever has become a servant of the Lord fears only his Master. But whoever is without the fear of God is often afraid of his own shadow. Fearfulness is the daughter of unbelief. A proud soul is the slave of fear; hoping in itself, in comes to such a state that it is startled by a small noise, and is afraid of the dark.
You carry in yourself all the obstacles necessary to make your realization perfect. If you discover a very black hole, a thick shadow, be sure there is somewhere in you a great light. It is up to you to know how to use the one to realize the other.
I want the audience to think about how many people are hiding in the shadows with the condition. I want the film to take away the stigma of thinking of this as a disease and an illness to be crushed. I want those in the condition to shine and contribute to the human spirit.
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