I don't think things through very often - I don't project into the future about how a situation will turn out.
I found the best ideas usually came, not when one was actively striving for them, but when one was in a more relaxed state… I used to take long solitary walks on Sundays, during which I tended to review the current situation in a leisurely way. Such occasions often proved fruitful, even though (or perhaps, because) the primary purpose of the walk was relaxation and not research.
You may not be able to change a situation, but with humor you can change your attitude about it.
You know, there’s a philosopher who says, “As you live your life, it appears to be anarchy and chaos, and random events, non-related events, smashing into each other and causing this situation or that situation, and then, this happens, and it’s overwhelming, and it just looks like what in the world is going on ? And later, when you look back at it, it looks like a finely crafted novel. But at the time, it don’t.
Storytelling is the essential human activity. The harder the situation, the more essential it is.
I've gone through various periods with superheroes. They work in the right hands, but they don't work in other hands. It's tricky. But any movie is tricky. It's impossible to say, 'This is what you do in any situation.
When a friend is sick, I see the situation for what it is, not what it isn't, and I offer to help as much as she wants, not as much as I want.
Essentially and most simply put, plot is what the characters do to deal with the situation they are in. It is a logical sequence of events that grow from an initial incident that alters the status quo of the characters.
In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending.
We trained hard ... but it seemed that every time we were beginning to form up into teams we would be reorganized. I was to learn later in life that we tend to meet any new situation by reorganizing; and a wonderful method it can be for creating the illusion of progress while producing confusion, inefficiency, and demoralization.
If it's a situation in which the public is being given access, you can't discriminate against the media and say, as a general matter, that the media don't have access, because their access rights, of course, correspond with those of the public.
I write about situations that are common, universal might be more correct, in which my characters are involved and from which only faith can redeem them, though often the actual manner of the redemption is not immediately clear. They sin, but there is no limit to God's mercy and because this is important, there is a difference between not confessing in fact, and the complacent and the pious may not realize it.
We certainly have at present the dismal situation that the most imaginative men are directed by a group, the top managers, who are among the least.
They have no right to complain! If women were cool with knowing their man is cheating on them then they have no right to complain. Sit down somewhere. BUT, if it makes them unhappy then complain with the understanding that if he doesn't stop, get out the situation. End of story!
I find it difficult to breathe when l'm in the space. There seems to be no oxygen. I want to put people into a situation where they're sensitive to themselves watching the piece.
When you're heading into Anzac cove you are going into this battle situation staring into the sun. So, any movement in that water, any glint is going to be seen for miles away. Even in the first rays of dawn, there's nowhere to hide.
I don't think I've got enough energy to be competitive! Most of my energy is just devoted to me being nervous and trying to deal with the situation.
I think the writers give us different people to work with, different situation scenarios to be in and there's always that fun balance of, you know, trying to keep it light and, you know, light-hearted and put in the comedy while trying to make it into drama.
An actor wants to get up every day and they can't think of anything particularly more fun to do than getting into a made-up situation and living it out as if it's real.
I think ultimately, when you believe somebody is going through a situation and it's either awkward or ridiculous, but you believe it, that can be funny.
All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
Dieter Dengler was an amazing man. Who knows what he would've been had he not ever been tested in this way? It's a question that I certainly have myself. What would I be able to do in certain situations? He came out, obviously, looking like a true hero, but he didn't go in looking like that. He was not your typical image of somebody that you would think would be the tough guy who was able to endure. His lighthearted attitude, this sort of dorkiness, and naivete; it ended up being the finest tool for his survival.
You kind of go through situations that don't work out, and then all of a sudden you have this baby in your hands and you forget about all of that. You forget about the last three years of your life. You just realize that everything unfolded exactly the way it was supposed to unfold.
It's funny because sometimes one doesn't actually consider these things for one's self until one's in a situation like this press conferece where one has to kind of think about it.
I'd say that the No. 1 attribute you need as an actor is to be malleable. You need to be able to change and tailor what you're doing to what the situation dictates.
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