Every snapshot collector has obsessions. Some only collect photos of cars. Others like World War II, or babies, or old-timey girls in old-timey swimsuits. I happen to collect the weird stuff: photos that make the hair on the back of your neck stand up a little. The uncanny.
I can no more reread my own books than I can watch old home movies or look at snapshots of myself as a child. I wind up sitting on the floor, paralyzed by grief and nostalgia.
But sometimes everything I write with the threadbare art of my eye seems a snapshot
I don't want to be a slave to electronic devices. I don't want to be connected to my friends. I don't want to send snapshots of my dog and cute pictures of my family life to my friends and family. I don't want to be liked, by pushing a button. I use all of this technology to basically replace devices that I had in the past which worked just fine.
I'm afraid of time... I mean, I'm afraid of not having enough time. Not enough time to understand people, how they really are, or to be understood myself. I'm afraid of the quick judgements or mistakes everybody makes. You can't fix them without time. I'm afraid of seeing snapshots, not movies.
Church: if the world could see a snapshot of our worship today, would they perceive that we believe our God is worthy of praise?
Even though fixed in time, a photograph evokes as much feeling as that which comes from music or dance. Whatever the mode - from the snapshot to the decisive moment to multi-media montage - the intent and purpose of photography is to render in visual terms feelings and experiences that often elude the ability of words to describe. In any case, the eyes have it, and the imagination will always soar farther than was expected.
Business and human endeavors are systems...we tend to focus on snapshots of isolated parts of the system. And wonder why our deepest problems never get solved.
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