The sociability of artists is a paradoxical and precarious thing, and ceases the instant they begin their actual artistic work.
[Emily] Dickinson, our supreme poet of inwardness.
One day I shall write a little book of conduct myself, and I shall call it Social Problems of the Unsociable. And the root problem, beneath a hundred varying manifestions, is How to Escape. How to escape, that is, at those times, be they few or frequent, when you want to keep yourself to yourself.
[On sociability in Italy:] You may be a hermit or an innkeeper.
There never was a woman so ill-suited to public life as I am. I have had to whip myself, as it were, into society, and the loneliness of it all has been terrific.
Writers are painful friends, and they are seldom friendly with others. They are insecure in the presence of other writers. Composers of certain kinds of music are the same--tormented and intolerant. Yet some arts not only make the artist social but make him depend upon sociability in order to succeed. Painting is one.
the present Western civilization ... is dominated by the extravert viewpoint. There are plenty of reasons for this domination: extraverts are more vocal than introverts; they are more numerous, apparently in the ratio of three to one; and they are accessible and understandable, whereas the introverts are not readily understandable, even to each other, and are likely to be thoroughly incomprehensible to the extraverts.
Imagination must first be filled to the point of saturation with life of every kind before the moment arrives when the friction of free sociability electrifies it to such an extent that the most gentle stimulus of friendly or hostile contact elicits from it lightning sparks, luminous flashes, or shattering blows.
The need for sociability induce man to be in touch with his fellow men. However, this need might not ("ne saurait", Fr.) find its full (or complete) satisfaction in the conventional (or superficial, - "conventionnel", Fr.) and deceitful world, in which (or where) everyone is mainly (or mostly) trying to assert oneself in front of others ("devant les autres", Fr.), to appear, and hoping to find in society ("mondaine", Fr.) relationships some advantages for his interest and vanity (or vainglory or conceit", Fr).
Agoraphobia was my quirky armor against a gregarious America.
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