The future looks extremely bright indeed, with lots of possibilities ahead -- big possibilities. Like the song says, We've just begun.
Because the road is rough and long, Should we despise the skylark's song?
I know there is an eye that watches all of us. There is a judgment that weighs everything we do. And before this great force, which is greater than any government I stand in awe and I kneel in respect and it is to this great judgment that I dedicate this next song...
The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.
The poets of each generation seldom sing a new song. They turn to themes men always have loved, and sing them in the mode of their times.
When I'm sitting in the church alone, I can hear singing of the old people. I can hear their singing and I can hear their praying, and sometimes I hum one of their songs.
The songs are inspired by my experiences. Sometimes they are more than my real-life and, conversely, my life is more than just my songs.
Heck, I'm no Henry Mancini or Michel Legrand. I just play the guitar and write songs.
I was never trying to write a hit. I was just trying to write good songs and get a message out, and it was my great good fortune to be popular.
I've never... when I was having songs on the airwaves, and that sort of thing, I never felt a sense of pressure anywhere except from myself, to do things the way I wanted to do them; to feel authentic; to feel like I was presenting my true self to the world.
My songs are like my kids.
Language is like songs, like food, like dance-it is the expression of what we think.
Dust into Dust, and under Dust to lie, Sans Wine, sans Song, sans Singer, and-sans End!
You can't plan to write a great song. It just happens to you. It drops in your lap. It's the same thing with a woman.
Adjustment, that synonym for conformity that comes more easily to the modern tongue, is the theme of our swan song, the piper's tune to which we dance on the brink of the abyss, the siren's melody that destroys our senses and paralyzes our wills.
I write songs about things that I'm simultaneously trying not to think about.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
I'm really a singer, so I love songs and I love singing. I like rap music, but I didn't grow up freestyling.
It is always the latest song that an audience applauds the most.
I didn't want to be on the losing side. I was fed up with Jewish weakness, timidity and fear. I didn't want any more Jewish sentimentality and Jewish suffering. I was sickened by our sad songs.
The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.
People who have memorized your songs-how can you not love them?
Saying you have a political solution is like saying you can write a pop song that's going to stay at the top of the list forever. I don't have many illusions about this, but I'm not cynical about it.
I watch everybody every night, from sitting down to being on their feet at the end, and I feel a sense of reinvention, of caring, presenting these songs in their purest form.
I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
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