I don't want to do children's music. I write kids songs, but the kids songs I write are for my kids - like when I'm putting them to bed. We sing some song that we made up but I don't want to make a record like that.
I think if you're writing from the heart, very often, the subject matter will adjust as you age... but you try to write the best song you can possibly write. For us, we have the same basic elements that make up the America sound.
You rock so, you rock so, you dip so, you dip so, you skank so, you skank so, and don't be no drag! You come so, you come so, for reggae is another bag!
I try to imagine how we would live if we didn't know we were going to die. Would we live our lives differently? Less careful, maybe? Less scared? These are beautiful things to think about and build a song around.
I cannot sing the old songs Though well I know the tune, Familiar as a cradle-song With sleep-compelling croon; Yet though I'm filled with music, As choirs of summer birds, I cannot sing the old songs-- I do not know the words.
If I'm focusing on playing and enjoying the song, then it always goes well. I get lost in the song, and the performance is so much better. If the focus becomes not making a mistake, then it just feels rigid to me.
The songs, if I write alone in a room, end up being a little more quiet, a little more subdued. If I play with other musicians or percussive instruments, it might end up being a little more upbeat.
If you look at the content of songs people write, it's usually about the things they know best.
I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.
The song I like to do is 'Dead.' I'm constantly playing that one.
I try to find little things that you can do to move the song along and things that serve the song.
What Whitney Houston has accomplished will never be accomplished. She's the most famous person on the planet as far as vocaling and her songs. So I'm very happy that I can sit here and say I had a chance to know her. And I'm still dazed that she's gone. But she lives because her music is so powerful.
To me, 'Blackberry Way' stands up as a song that could be sung in any era, really. We do it with the new doing all sort of fanfare things in it and it works really well. It goes down great with audiences.
There is always, in the fine arts, a physical interface between the artist's esthetic vision and the material result he seeks. The interface may be the application of brush to canvas, chisel to marble, bow to string... It may be the control of voice in song or the control of body in dance. It is the mastery of the interface that comprises the artistry; it is what constitutes the 'art' in fine art.
Song forbids victorious deeds to die.
Whither away, Bluebird, Whither away? The blast is chill, yet in the upper sky Thou still canst find the color of thy wing, The hue of May. Warbler, why speed, thy southern flight? ah, why, Thou, too, whose song first told us of the Spring? Whither away?
I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.
You've been so long in the rain, you feel like a dirty dish rag. But despite the misery of your water soaked body, you look around to see verdant leaves dripping with water. The air entering your lungs smells vibrantly clean. To experience adventure, you must be willing to be uncomfortable at times and enjoy the loneliness by being happy with your own singing. A song pops out of your mouth... "It rained all night the day I left, the weather it was fine..."
It is setting goals and trying to be a business person, but at the same time not losing sight of who you are writing songs for and what your goals are as a songwriter. So believe me, if you think I've got it down I don't it is a constant struggle.
And now the herald lark Left his ground-nest, high tow'ring to descry The morn's approach, and greet her with his song.
O God, enlarge within us the sense of fellowship with all living things, even our brothers, the animals, to whom Thou gavest the earth as their home in common with us. We must remember with shame that in the past we have exercised the high dominion of man with ruthless cruelty so that the voice of the earth, which should have gone up to thee in song, has been a groan of pain. May we realize that they live, not for us alone, but for themselves and for Thee and that they love the sweetness of life.
All the earth is at rest and is quiet: they are bursting into song. Even the trees of the wood are glad over you, the trees of Lebanon, saying, From the time of your fall no wood-cutter has come up against us with an axe.
Then when Gladys Knight came in to do my songs that was the straw that broke the camel's back.
It's nice if people ask to use your song. You have to make a decision as an artist how you feel about that.
The fact of picking up an instrument and writing a song and expressing yourself publicly has a powerful political dimension.
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