Sometimes, songs spill out of you very fast, and sometimes you have to wrangle them to the floor. But the same thing is true of comedy, where sometimes it really flows.
Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say.
I feel guilty because I want to act more than I want to write songs. I'm a person who likes to transition; I like to grow.
I feel like writing songs is cheating on acting. It's weird.
I did a lot of songs that I sold, but then they never came out and I never got paid for it. You learn real fast that the music industry, in the beginning, you're not going to get paid for a while, and then you start getting the accolades.
Then when Gladys Knight came in to do my songs that was the straw that broke the camel's back.
I didn't really think about the sound of my songs before I started recording things in the studio.
I go through a thousand songs to find ten for a new record.
A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet.
One of my favorite things as an engineer is watching a band get comfortable in the studio and getting a great take. Like, they're playing the song, warming up, and then suddenly, the communication really happens and everybody's really in the song, and they nail it, and then that's the take.
The music throbbed in a voice of singular and delicate power; the air was resonant with melody, love and pain. The meanest Italian in the gallery far up beneath the ceiling, the most exalted of the land in the boxes and the stalls, leaned indulgently forward, to be swept by this sweet storm of song.
A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.
I do craft songs, that this is designed. It's almost like the song was written to produce this desired effect. And it probably really works for somebody. It's maybe somebody's favorite tune, and it's really hard to come down on that, even if I feel a little embarrassed for it. Because some songs are written like a commercial, and that can be a little strange.
Sang in tones of deep emotion Songs of love and songs of longing.
I'd been in a couple situations where I'd seen bands realize that they didn't have to get a good take in order to get something that sounded like a song. The musicians are there and they don't quite have it together, and then the engineer says, "Oh! That's okay, I'll just cut and paste the verse!"
Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!
O brave poets, keep back nothing; Nor mix falsehood with the whole! Look up Godward! speak the truth in Worthy song from earnest soul! Hold, in high poetic duty, Truest Truth the fairest Beauty.
I have a passion for ballad. . . . They are the gypsy children of song, born under green hedgerows in the leafy lanes and bypaths of literature,--in the genial Summertime.
Flow gently, sweet Afton, among thy green braes, Flow gently, I'll sing thee a song in thy praise.
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
Eloquence the soul, song charms the senses.
And now the herald lark Left his ground-nest, high tow'ring to descry The morn's approach, and greet her with his song.
Thou hastenest down between the hills to meet me at the road, The secret scarcely lisping of thy beautiful abode Among the pines and mosses of yonder shadowy height, Where thou dost sparkle into song, and fill the woods with light.
The channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.
Man wants but little here below Nor wants that little long, 'Tis not with me exactly so; But 'tis so in the song. My wants are many, and, if told, Would muster many a score; And were each wish a mint of gold, I still should long for more.
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