I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
Songwriting becomes a conscious attempt to delve into the unconscious. Even those writers who scoff at the concept of a spiritual source for their songs admit that the phenomenon of having them simply arrive feels magical.
Songwriting as an art is a bit archaic now. Just writing a song is not good enough.
Songwriting is an emotional medium, and rock and roll is an emotional medium.
I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was.
Songwriting is kind of like a craft. It's not something that just comes in a dream. You've got to work at it.
We need to have music that contributes to the well-being of the spirit. Music that cradles people's lives and makes things a little easier. That's what I try to do, and what I want to do. You don't want to close the door on hope.
I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head.
More times than not, it's a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
You can't ask me to explain the lyrics because I won't do it.
I don't think you can ever please all audiences.
And Paul hits this chord, and I turn to him and say, 'That's it! Do that again!' In those days we really used to absolutely write like that - both playing into each other's noses.
'If You Could Read My Mind' was written during the collapse of my marriage. It's a great song. No one has any gripes about it. I wondered what my wife and daughter might think. My daughter is the one who got me to correct 'The feelings that you lacked' to 'The feelings that we lacked'.
I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.
If I lose the light of the sun, I will write by candlelight, moonlight, no light. If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you
A lot of people pretty much only listen to the chorus.
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
It seems to me that those songs that have been any good, I have nothing much to do with the writing of them. The words have just crawled down my sleeve and come out on the page.
I don't think you can ever regain your ignorance.
In writing songs, I've learned as much from Cezanne as I have from Woody Guthrie.
My style of songwriting is influenced by cinema. I'm a frustrated filmmaker. A fan once said to me, 'Girl, you make me see pictures in my head!' and I took that as a great compliment. That's exactly my intention.
Sometimes you're writing a song and you have an image whilst writing a song. I don't think you ever base a songwriting process around a video, but when you're writing a song sometimes it'll be a very visual song.
Cherish forever what makes you unique, 'cuz you're really a yawn if it goes.
Once I went into songwriting, I figured I had to - I couldn't be a hellfire rock 'n' roller. But I could write hellfire lyrics.
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