If you have a regulation that's going to save hundreds of thousands of lives annually and not cost very much, that sounds like a very good idea.
Everyday though, I'm just looking for like- I always ask people, What are you listening to? What sounds are good to you? Alot of people are in their car, in the club or on the internet looking and I just don't do any of that. Usually if I'm out and about it's because I have something to do, because I'm like a really big home body. If I'm at home, im watching Nickelodeon cartoons so sometimes I'm out of the loop with the cool music, but for sure I'm predicting that J.Cole is going to be good.
But Stacie Orrico was my childhood hero. I was about 12 when I found her music. She is a contemporary Christian artist, and I can honestly tell you that I don't think I'd have a soulful voice if I didn't listen to Stacie. I wanted to sound just like her growing up, and to this day I STILL think I sound a little bit like her. But she is AMAZING!
It can sound trite if you just say citizens need to be educated for democracy to work, but for him it wasn't trite. It was really this strenuous challenge to citizens to use their moments of leisure, which he defined as time away from work, to collect the facts that were necessary for full democratic participation.
I feel like with our shows it always feels weird to be performers on stage and not engaging in audience interaction in some way - that exchange of energy is very much a part of the sound.
It's crazy in just the difference it makes turning up to sound check without a hangover.
Sometimes what works in a book is too "in your face" when converted to the big screen and sound.
I like people like Tina Turner, Chrissie Hynde, Debbie Harry, and Stevie Nicks; you only hear that person in their voice, they sound like nobody else.
A scientist sounds like a scientist because the things that come out of their mouth don't stumble, that's all. If they [said], "And the, um, a microwave, uh," you know, then you don't sound right, but if you can just get it out without stumbling then you're going to sound fine.
I'm glad I get singled out for my slide guitar-playing, which isn't that difficult to do. I didn't take guitar lessons, but I just love the way it sounds, almost like the human voice.
This may sound arrogant, but I believe that if we'd done teamship better, we'd still be there. Where we fell down was the inability to hold together. We should have learnt from the great football teams. The players may not like each other. They have egos, they have their own ambitions, they have different personalities, but they are still bloody good teams.
[I did impressions] of relatives because I heard so many different sounds. My dad was in the music business and of course my uncle was a giant [music producer], but my dad in particular had the house filled with these Dixieland jazz stars.
I want to design for the working women. Okay well - it sounds like 90% of us are that. But really, we are more. We are working women who like to cook, to travel; we are a girlfriend, a writer. We are so much more than just being defined by the one job we have.
You're sonically racist, Americans. You think we all sound the same, whereas I have definitely a mongrel accent.
In fact, the very phrase "teaching creative writing" sounds to me oxymoronic. How can you teach someone to be creative?
Our need to reimagine our world through the vibratory larynx, that's what matters. Re-awaken the world to itself. Through ideas, pictures, sounds. Hold the mirror up to "nature."
I had ideas about music and sound and listening and time and so on that I wanted to pursue as an individual, and by doing that book, Brian [Eno] opened the door, and he decided to do a record based loosely on the book.
I'd just written the book Ocean Of Sound, and this terrible thing happened in my life: my wife committed suicide. I was a single parent because of that; I was completely shattered. I had a book that I'd just finished that had been produced through a really, really terrible period, but I had managed to finish it.
I feel that the term "new age" is used by basically hostile media to diminish and marginalize a conversation that is very significant. It's held in place by journalists who are constantly looking for hooks and sound bites to keep them from having to make the effort of a deeper understanding and a more profound level of communication with the public.
There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are "like" someone in love sounds right.
The unifying thread through all these different aspects of music business is just my attraction toward working with sounds and designing new scary, evil, dark sounds.
Ayn Rand called her novella Anthem a "hymn to man's ego." My approach to Anthem the play was to provide the story a further dimension through music and sound. The work is now larger than a hymn. It's really "spoken opera."
My love of classical hit pretty early. I was 13 when it occurred, and that was really the only music I listened to for many, many years. I went to a conservatory, but I always knew I would be in the pop world, because A) it was more fun and B) you didn't have to practice as much and you could go out more. But I immediately saw this opportunity to inject my material with these sounds that most members of my generation really didn't know about, so it was a great way to differentiate myself from the pack.
I am raising my children with the Christian faith and life lessons I was taught. I am equipping them with all of the information and guidance as a parent and hope they will make sound decisions. The most important thing is to teach kids to stand firm in what they believe and not be swayed by detractors no matter what the subject matter.
DJ culture is all about collage - sampling, splicing, dicing - everything is part of the mix, and there are no boundaries between sound sources. When you apply the same logic to the environment, there's a lot of room for mapping sampling techniques to the environment itself.
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