Special Effects Quotes - Page 4

• Truthfully, I don't know how those special effects people do it.

  Lily Rabe

  People, Special, Know How

  "Lily Rabe Talks AMERICAN HORROR STORY: ASYLUM, Her Character's Fate, Favorite Storylines, and More". Interview with Christina Radish, collider.com. January 16, 2013.

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• The Apple has the fewest bells and whistles. It has simple sound and few graphics special effects. In a way, that is a weakness because markets for the other machines are getting bigger.

  Bill Budge

  Simple, Apples, Special

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• It’s very simple why kids are crazy about dinosaurs — dinosaurs are nature’s Special Effects. They are the only real dragons. Kids love dragons. It’s not just being weirdly shaped and being able to eat Buicks. It’s that they are real.

  Robert T. Bakker

  Crazy, Real, Kids

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• I helped develop Disney's) special effects department at that time, which helped very much when we worked on "20000 Leagues under the Sea"

  John Hench

  Sea, League, Special

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• As a movie fan, my number one goal is to continue to learn from what I've done and make special effects as precise and clean as they can be.

  Gregory Nicotero

  Numbers, Goal, Special

  Source: collider.com

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• 'Macbeth' is one of the best operas ever, and doing it was a great experience. I added some things to the opera based from my experience on the movie - such as some of the special effects and bits of film - to make it new and interesting. It was a very good work and a very good experience.

  Dario Argento

  Interesting, Special, Opera

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• What can you say about a man who leaps from a helicopter over Manhattan without a parachute in the hope that by increasing his heart rate he'll transform into an iridescent lime-green behemoth so he can take on an even bigger behemoth? That he knows he's living in a computer-generated universe in which gravity is a feeble suggestion and nothing is remotely at stake, and that when he hits the ground he'll be replaced by a special effect. The Incredible Hulk is weightless-as disposable as an Xbox game.

  David Edelstein

  Xbox, Heart, Men

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• To know about the movie [jack the giant Slayer], wow. It's an adventure, there are so many special effects flying around. It's going to be really fun, definitely. I think there's something there for the whole family. There is something you can really enjoy, and I think it's going to be a really fun, family film. I'm really excited.

  Eleanor Tomlinson

  Fun, Adventure, Thinking

  Source: collider.com

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• I had a real comfort with being on a set and in particular working with special effects and because of that background, it became much easier for me to base a first time feature film on a low budget cause I was sort of already knew how to do that.

  Duncan Jones

  Real, Special, Firsts

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• We need to take a step back and realize that what happened in the 1950s, when he started his career, is exactly where we are today. Everything goes in a cycle, and right now, distribution is changing. Audiences might be kind of sick of these giant blockbuster movies with all these special effects where blue people are running around and the hero is some non-human entity. These are all great movies, but I think that there's definitely room for new voices to come out.

  Alex Stapleton

  Running, Hero, Thinking

  Source: collider.com

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• I've never been bothered by proximity to special effects and I've never felt disadvantaged by them. They're all part of a movie, and when the movie's under control I don't feel upstaged by them.

  Harrison Ford

  Special, Proximity, Feels

  "Star Wars Archive: Harrison Ford, Solo Artist". Interview with William Thomas, www.empireonline.com. June, 2002.

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• When I was in architecture school, rather than giving us drafting boards and t-squares and lead pencils and stuff they gave us all the same tools that places like Digital Domain and ILM used to make features films or special effects. They gave us all these digital tools like Alias and Mya and Soft Image and all these kind of high-end computers, so I came out of architecture school knowing how to use all that stuff. And I started making short films at night.

  Joseph Kosinski

  School, Night, Knowing

  Source: collider.com

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• Even with the most stupid video games, kids learn more about learning than they ever did before, because they want to learn codes and moves before other kids figure them out. They're motivated to seek out someone or search the Net for help. A student who makes a video game has to solve mathematical problems to make special effects happen on the screen.

  Seymour Papert

  Stupid, Moving, Kids

  "Sunday Interview - Seymour Papert/ Computers in the Lives of Our Children/ an Mit Mathematician and Philosopher Is Exploring How Technology Can Educate the Next Generation - and Their Parents". www.sfgate.com. February 2, 1997.

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• My biggest difference with our film and those kinds of science fiction films is that they are going from one special effect set piece to the next, what we were doing was more of a character study. And I think that is the freedom that you get by doing an Indie film. You can only really do that with a lower budget. So I understand where the conflict is between those two priorities.

  Duncan Jones

  Character, Thinking, Two

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• I think we tried to make a film [Moon] that was about human beings as opposed to going from one special effects set piece to the next one, which is what a lot of science fiction films these days do.

  Duncan Jones

  Thinking, Moon, Special

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• At that point, I thought probably special effects, something like that, and indeed, the early days when I was working with my dad, after I left school, I only went to less than one year of college, and then I was transferring, and then I delayed my transfer, and I did a movie, and then another movie, and then I never finished college.

  Brian Henson

  Dad, School, College

  Source: bigthink.com

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• I think that in big-budget movies there's a lot of other stuff going on besides acting, like special effects.

  Rachel Weisz

  Thinking, Special, Acting

  Source: deadline.com

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• Dr. Okun. Who's named after a special-effects guy named Jeff Okun, who had done Stargate for Roland Emmerich and Dean Devlin, who did Independence Day. But "Brakish" just came up one day when Jeff Goldblum and I were improvising, and he told me his character's name and I told him mine.

  Brent Spiner

  Character, Names, Guy

  Source: www.avclub.com

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• There are women in makeup and hair and wardrobe, but not in camera, not in sound, you know, and not in special effects. It's all men.

  Carrie Fisher

  Makeup, Men, Hair

  "Remembering 'Star Wars' Actress Carrie Fisher". "Fresh Air" with Terry gross, www.npr.org. December 28, 2016.

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• I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.

  Boy George

  Character, People, Special

  "Karma is good to chameleon Boy George". Interview with Chrissie Dickinson, digitaledition.chicagotribune.com.

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• Sex, action, special effects, and violence sell.

  Pam Grier

  Sex, Special, Violence

  Source: www.avclub.com

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• We tend to be talking to fabricators in the film and special effects or automotive customisation worlds. That having been said, I'm sure as more and more artists come to use these sorts of media, the expertise amongst conservators is going to keep pace with that.

  Patricia Piccinini

  Artist, Media, Talking

  The Condition report Interview, www.patriciapiccinini.net. 2014.

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• One of my first things I was fascinated with when I got on set was how does Grant do all this Flash stuff? it looks so good as the end product, but how does the special effects team work? How does the visual effects team work?

  Tom Felton

  Team, Special, Doe

  "The Flash: 9 questions with Tom Felton". Interview with Ed Gross, www.empireonline.com. October 3, 2016.

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• A good storyteller can hold everybody captive without the special effects of Hollywood.

  Phil Keoghan

  Special, Hollywood, Storyteller

  "Adventurer. Storyteller. Host of the Amazing Race". Interview with Zoe Kors, www.marandapleasantmedia.com. May 25, 2013.

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• I was there when Sam Raimi showed Stan Lee the first cut of the first Spider-Man movie. I was on a couch next to Stan, watching how special effects had finally caught up to his imagination. It was insane. And I'm thinking, "He had to wait until he was 80 years old for that to happen." When they announced 'Powers' and 'Jessica Jones,' I thought, "Oh, that's nice!"

  Brian Michael Bendis

  Nice, Cutting, Men

  "Jessica Jones’ creator on the biggest change from comics to her Netflix show". Interview with Alan Sepinwall, uproxx.com. June 29, 2016.

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