All the world's a stage, and all the men and women merely players: they have their exits and their entrances; and one man in his time plays many parts, his acts being seven ages.
All the world's a stage, and all the men and women mearly players.
One man in his time plays many parts.
A man who strains himself on the stage is bound, if he is any good, to strain all the people sitting in the stalls.
A true priest is aware of the presence of the altar during every moment that he is conducting a service. It is exactly the same way that a true artist should react to the stage all the time he is in the theater. An actor who is incapable of this feeling will never be a true artist.
Without wonder and insight, acting is just a trade. With it, it becomes creation.
Why, except as a means of livelihood, a man should desire to act on the stage when he has the whole world to act in, is not clear to me.
Actors are agents of change. A film, a piece of theater, a piece of music, or a book can make a difference. It can change the world.
Speak the speech, I pray you, as I pronounced it to you-trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and as I may say, the whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
If you get a chance to act in a room that somebody else has paid rent for, then you're given a free chance to practice your craft.
I'm a stage actor, and we never get to see our performances.
I'm just a stage actor from Chicago.
Yet the reality is that I'm a stage actor from the Midwest - probably the opposite of a shark agent.
The only thing I wanted to do when I was a young naive kid was to become a New York stage actor.
I spent so many years of my life as a stage actor and when you do all these plays, a lot of really great plays are very politically driven. They deal with deep social issues, and that's the kind of stuff that I love, as an audience member.
It used to be that you kind of got pigeonholed into one thing - you're either a stage actor or a TV actor or a movie actor. Today, there's a lot of crossover with film actors doing television, which never happened before, so those lines are a little bit more blurred than they used to be.
Stage actors are usually much more conscious of speaking up and making sure that everyone can hear in the back of the theatre; a film actor probably thinks of that a little less. Unfortunately, there's a style of acting going round, especially with the younger actors, where they talk without even moving their lip. Maybe it's because my hearing probably isn't what it was 40 years ago but I'm sitting there going "What did they say"?
Stage actors look down on movie actors, movie actors look down on TV actors, and TV actors look down on... mass murderers.
I was a stage actor for 20 years or so; I was leading men in classical things. 'Shakespeare,' you know. And now, I never play leading men. I'm that kamikaze comic that comes from the left, turns the table over, and leaves, or the hyper-intelligent yuppie scumbag if it's a drama.
I studied movies for many years, but I am professionally an actor because I, my background is actually a stage actor and acting.
Having been trained as a stage actor, and then you go out there and you're on 40,000 acres and you have a horse under you and you're shooting a real gun, you almost don't have to act. It's just really amazing.
For the record, if you're not a stage actor, climbing onto Broadway and tackling something like David Mamet is not an easy thing to do.
I knew I was a good stage actor but I had no idea about movies. And I wasn't a Paul Newman type of guy. That's why I thought the stage is just right for me.
There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that was as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands.
A stage actor has to be 10% aware of the audience as he's performing.
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