When you're dealing with the world of dreams, the psyche, and potential of a human mind, there has to be emotional stakes. You have to deal with issues of memory and desire.
I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.
People are now starting to explain the Cold War. Even in the crises at that time the survival of millions of people was at stake. And we (the USA) had to threaten the other super power with retaliation to prevent it from doing something to us. Today we live in a world in which a lot of things are in flux. That creates a lot of fear. But it is also a time of great opportunity. And I would call on today's statesmen to not allow their thinking to be directed by fear.
Sometimes time actually works against you if you refuse to face the relevant issues and explain to the public what is at stake.
These are facts that would make every American upset. Our birthright is being stolen, the legacy of our country is at stake, and the values of our nation are in peril. The future whispers, and the present shouts.
I think if anybody had a roll of dice with a lot of money at stake, they would not want Wes Craven and a romantic comedy.
Humanity as a species must change dramatically and radically or our survival is at stake.
The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).
That happens a lot when people become parents, too. There's just so much at stake suddenly, and you're also witness to the total miracle of birth, and stuff like that. So I started reading tons of religious texts and checking everything out. One of the things I wanted to make sure of on the record is that it still has a "searching" vibe rather than an authoritative vibe.
Criminality is now legal. I guess criminal racketeering these days would be like burning little children at the stake or something. That's about what it takes to get anyone to care.
When characters have different goals and are intent on achieving them, conflict results. If the stakes are high and both sides are unyielding, you have the makings of high drama.
It is the love of the people; it is their attachment to their government, from the sense of the deep stake they have in such a glorious institution, which gives you your army 168 and your navy, and infuses into both that liberal obedience, without which your army would be a base rabble, and your navy nothing but rotten timber.
I see Macbeth as a young, open-faced warrior, who is gradually sucked into a whirpool of events because of his ambition. When he meets the weird sisters and hears their prophecy, he's like the man who hopes to win a million - a gamble for high stakes.
Like an audience entertained by a magician, we allow ourselves to be deceived by those with a stake in persuading us to ignore reality.
To me it was real war and my life was at stake, and I believe that all those clandestine spy games we played as children helped when the Occupation came.
Life is too short, time is too precious, and the stakes are too high to dwell on what might have been. We have to work together for what still can be.
I've said that movies are the highest stakes make-believe game in the world, and this is truly the most highest stakes.
When you think about the current present value of the fossil fuel reserves that are on the books, the current fossil fuel companies, the last time that that much wealth was at stake was when the South fought the Civil War.
Running a successful, growing company in Silicon Valley can create an ironic sort of depression and delusion. The better you're doing, the higher the stakes, and higher expectations for you to win. Maybe that's why people say it's so hard. But that doesn't make it hard. That just makes it distracting.
In these uncertain times, I know 100 percent that I can stake my life on the unshakeable, unchanging promises of God!
I don't encourage any act of murder nor do I glorify in anybody's death, but I do think that when the white public uses its press to magnify the fact that there are the lives of white hostages at stake, they don't say "hostages," every paper says "white hostages." They give me the impression that they attach more importance to a white hostage and a white death, than they do the death of a human being, despite the color of his skin.
Better to be always in a minority of one with God - branded as madman, incendiary, fanatic, heretic, infidel - frowned upon by "the powers that be," and mobbed by the populace - or consigned ignominiously to the gallows, like him whose "soul is marching on," though his "body lies mouldering in the grave," or burnt to ashes at the stake like Wickliffe, or nailed to the cross like him who "gave himself for the world," - in defence of the RIGHT, than like Herod, having the shouts of a multitude crying, "It is the voice of a god, and not of a man!"
Faced with the election of a Catholic, our culture is at stake.
At the beginning of the twentieth century barbarism can throw off its gentle disguise, and burn a man at the stake as complacently as in the Middle Ages.
If you have to be burned at the stake, be a good fellow and collect your own fire-wood.
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